Through Female Eyes – Ancient Hebrew – Operating Theatre – Horses Dream 09-12-2025

Last night’s dream. For me it is very unusual in that I am seeing a fair part of the dream through the eyes of a woman. The dream is in two parts, before and after a TV/snack break around 4:30 AM.

The dream starts with the visual field filled with a “word-cloud” of letters in black ink on a white background. The background looks a bit like a piece of cloth or parchment, frayed a little. But it is entirely mental, a mind projection. The letters are Latin-roman and the letter-word-cloud is in English, by way of a codex or very loose cypher or key.

I am aware that this is not my body and that I am female in it. I can feel long female plaited hair and the overarching perfume is female. The body is in good nick and pain free. The mind is academic and is problem solving. It is asleep and dreaming. The difference in smell is marked.

The word-cloud changes to a slightly more yellowed background. Here the text has some similarities to modern Hebrew only is in a much less brutal type face. The text is handwritten with an italic nib and there are a lot of dots and “commas” where a superscript might be. These are diacritical marks. The word cloud comes in several different batches and I know these to be segments of text. The text feels archaic and in the dream I wonder if she is reading Aramaic. She is familiar with the text I am not. It is old.

{On waking a quick Google search suggests that the text is archaic or ancient Hebrew. The level of confidence for this designation is around 70-80% by eye.} I get up for a “midnight snack” and to watch some shit TV to help me go back to sleep instead of tossing and turning.

Back in bed I drift off. I am at first looking up from an operating table at people in light  blue medical gowns standing around me. There is an adjustable medical light. The men and women in theatre are masked and busy. One of the surgeons has a binocular headpiece with microscope objectives. He is examining a tool closely. It is modern day.

I am now above the operating table looking down. I can see that it is not the operating theatre I was in. I have a clear pre-operative recollection of that. I am seeing through the eyes of the woman again. She is having abdominal surgery of some kind. The sense is that the theatre is top whack high-end private medicine and it feels East coast USA money, lots of money. I am watching the procedure with a critical eye implying that the woman has some medical training.

I am now sat with the woman in a holiday “rental” near the sea and above some green grassed cliffs looking down on deserted beaches. I am making her breakfast. We are getting ready to leave. We are tidying up. Someone from the landlord comes and says that we need not do that. But I say that it is impeccable to leave a place more tidy than when found.

Before we go we go for a ride on the cliff tops. We are sharing a truly huge thorough bread dark brown horse with her in front, and me behind. We pause on a raised hillock. In the paddock below there are horses at gallop. They are very high quality. There is a man on one horse and a woman on another. They are a couple. He has the air of command. There are a several free horses being exercised and some horses with grooms following up the rear. The man pulls up and stops. He raises his hand and the free horses lie down and roll in the grass. He raises his hand again and they get up. This is his demonstration of power. They all gallop off. He waves at the woman with me who is possibly his daughter. He winks at her and then gallops off. There is some craic between them to which I am not party. They are “aristocratic” or quasi. It starts to rain and we head back to the lodge.

The dream ends.

Unusual – Golden Calligraphy – Protector – Dream 05-11-2025

Here is this morning’s dream. It is deemed unusual not for content by for the realism and quality of the indoor decors. They are very life like and top-end.

The dream opens in an upper floor kitchen of a multi-story building. It is white luminous and a mixture of natural and electrical lighting. I am sat at a white sided kitchen island with a wooden top. The finish on the wood has a light reddish mostly brown hue. It has the quality of fine cabinet Walnut but isn’t that. It is a “redwood” of sorts. I am on a tall stool sat to the island. In front of me on the wood is a paper napkin whose quality is like finest linen. It has the feel of magician’s white gloves. As I watch an iridescent golden script, a calligraphy, appears. It is in no language I recognise. Yet I can understand the script phonetically to be “estaf” or “eraph”. I joke that it is Gloria Estefan and the Miamai Sound Machine. I hear in the dream an Estefan song followed by “Despacito” on solo Spanish guitar. I realise that the script is in fact Angelic script and that the “s” is silent phonetically therein. Thus the word is seraph of seraphim. I place the now silky-linen cloth in to my left hand shirt pocket after having inhaled it while lovingly holding it in both hands. It is close to my heart.

I am joined by the wife and one of her friends. The women is not one of her known friends. We are sitting in the kitchen which leads out onto an elevated decking balcony. The garden furniture is lovely as is the rest of the kitchen. They are drinking white wine from ultra-thin expensive wine glasses. I go out to smoke on the balcony and then join them back in the kitchen. I show the friend my cloth with the Angelic writing on.

The scene changes and the woman is joined on the balcony by her sister who lives nearby. They are discussing television programmes. I am now in a deep white bath on a raised pedestal in a state of the art bathroom. The bath has a sealing door for disabled access. The wife and her friend are sat in a window seat in the bathroom which has polished wooden flooring, sanded ultra smooth. I get out of the bath with a semi caused by the warm water and go to reach a nearby white towel. I am dripping wet. The friend is at first embarrassed. I say not to worry I am very happy being totally naked I have nothing to hide. This is natural. I take a towel and dry myself off.

The owners of the building are arriving at the  external staircase to the white “mansion” side. They are coming through the door. They are a couple and two young males, late adolescent. I have been tutoring the boys. We should not be here. I go down to meet them and say that I know we should not be here. We are leaving. I understand that they may no longer want me to teach the lads and that my contract is ended. If however on reflection they change their mind they have my number. They do not seem able to speak out of surprise. We file past them out of the building and into the street. My effusiveness has diffused the situation.

The scene changes and I am in the attic / penthouse of a multistorey city building, maybe half a dozen floors high. The feel is European and the roof is made of grey metal sheeting, maybe lead. It is an original feature hundreds of years old. I am with a number of people and thinking about jumping from the building to the one on the opposite side of the street. There are a number of people there. I say that it is safe for me because I have my protector(s). I gesture out of the window to a man-like being hunched up like a bird sitting perched on the guttering. He has black slicked back hair and olive skin. He is juggling with many balls slightly smaller than a cricket ball. They are multi-coloured. There are blue, yellow, red and golden balls. Each ball is a little like a snooker one in weight. They have an iridescence. He throws balls across the gap between the building and they bounce back. He catches them. We look down and see people and cars in the street below. It is a European capital.

The scene changes and I am in right hand drive VW minibus / camper ban. It is being driven by a large English woman with long hair. She is a bit jolly hockey sticks librarian. We are winding around near single files streets in a village perched high. I joke it is Highgate. I say to take it easy the locals are accustomed to the streets she not. We are looking for a parking place outside the white mansion from before. There are none. I suggest we drive past. We do and then have to make a U turn. She pulls up in  a cliff top viewing point. There is no safety rail. The “car park” goes off the cliff. She parks and I pull the hand brake up an extra notch for safety.  She is very nervous. Below us we can see the city panorama amidst green covered peaks and with little white fluffy clouds. We are thousands of metres up and the city is below us. It looks a bit like Rio de Janeiro from the air. I suggest we get out the van and walk back to the building.

The dream ends and I note it as a change in dreaming, it is unusual.

Revisiting the “Thai” Incarnation – Ong Bak

I mentioned earlier in the blog that around 2003 I started having visions of myself as Buddhist priest / monk with om mane padme hum tattooed on my forearms in Sanskrit. This tattooing suggested the Sak Yant of Thai, Laos, Vietnam, Cambodia / Burma, I could not see the colour of the robes in those visions but was certain that the calligraphy was not Tibetan.

More recently I had an “Indochina” dream, a link is below.

One could say that the Buddhist Muay Thai dream resulted from me watching Tony Jaa in the early Ong Bak films. But I don’t think so.

As a regular user of Watkins books where one can find much on “spirituality” I frequented Cecil Court near Trafalgar Square, London. There was an artefact shop opposite. There I purchased this Buddha / Avalokiteśvara. He is sitting in our hallway to this day.

At the time I was talking with a chemistry student during her final year research project on statute patinas joint with The Royal College of Art. The shop has moved probably to Camden. I had a long conversation with proprietor about how the village from which he sourced the statuettes used special techniques to create ancient looking patinas.

Many years later following on from a dream I visited a Thai Forest Buddhist centre, Cittaviveka, also known as Chithurst Buddhist Monastery. This was not far from where we lived in the UK.

When I had the “Thai” dream in 2023 I was genuinely quite surprised because I had mentally ruled out Indochina. But today that notion has again resurfaced. The hair-do on the statute is very Indochina – style. I have said “Thai” but it could be elsewhere on the peninsula.

The Buddhist thread is linked to the pen-pal of the wife’s mother who was the daughter of a Sri Lankan ambassador and a Pali Scholar, the author of a Pali dictionary and important to the spread of Buddhism to London. This is the Theravada link.

The monk I spoke with at Cittaviveka had looked after Christmas Humphreys. A key figure in bringing Buddhism and meditation to London.

In that dream for the first time, “I am wearing only some saffron-yellow trousers.” I am clearly Asian.

Hmnn…

Via Gambetti – Letter – Via Marchese – nagal Dream 11-03-2025

Here is this morning’s dream it has a distinct Italian theme.

The dream starts with me sat at my desk. The desk is small and ornate. It is designed for writing and has stationery and quills. The feel is late 18th or very early 19th century. I am wearing pantaloons which button just below the knee, they are of a golden colour. A man comes in he is bearing a letter on a metal silver coloured tray. The tray is slightly ornate. The letter is addressed to me though I cannot see my name. I can see “Via Gambetti” as the address. I sense a silent “h” as in Gambhetti. I open the letter with a paper knife. The letter is written in a deep royal blue ink with a slanting italic script. I have been waiting for this letter for some time. It is written in Italian.

The scene changes to modern times, and I am in an Italianate piazza off which is a modern exposition building. The address of which is “Via Marchese della…” or “Via del Marchese…”. I go into the hall and a young woman hands me a conference programme entirely in Italian. I read and understand it. There are many high technology exhibitors with stalls and rooms placed around the large atrium. I start talking to some young people in a group. A man is a posh suit and his PA approach. He puts his hand on my shoulder and says, “ciao, we are glad you came. Will you help us judge the best exhibit and most promising technology?”

I go off with them and enter a booth / room which is full of large screens and computers. Someone is playing a game / simulation. The simulation is a mix of military and aid, some kind of logistical clean up operation. The idea is all about logistical delivery and monitoring. I ask a young man to explain his work to me, because I am out of touch and out of date, Jurassic even. He says that he is very pleased to meet me and starts to explain.

We move on to “judge” various other exhibits. I am totally surprised in the dream that anybody would be pleased to see me or welcome my input.

At the back of the exhibition area is small seminar room which I know that I have used before. I make my excuses and nip in there to have some time to myself away from the hubbub. On the green-black rotary blackboard written in white chalk are the words “nagal exposed”. On the rotary white board amidst a multicoloured patch of marker pen is the word “nagal”. It is in relief, not coloured in and the colour of the white board behind.

I take a blackboard eraser to the white chalk and rub it out. I take a piece of blue paper towel to the white board and rub that out. I am very surprised to find these here. When I have finished, I roll both the white board and green-black board over to clean areas.

The dream ends.

More Tibetan Phrase Dream Follow Up

“I start out on my route and part the way along in or near Mongolia I am given two white plaques of an irregular shape. Phonetically these plates speak in the dream. They say, “Mon yet {yat} Dzong” and “Sprul yet Tsaay” I can see the associated Tibetan script but cannot associate it directly with the phonetics.”

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The name “Khyentse,” often equated with the Rimé movement, is the union of two Tibetan words, khyen (མཁྱེན་པ་,“ken,” or sometimes “chen”) and tsé (བརྩེ་བ་, “tsay”), meaning “wisdom” and “compassion.”

From web site of Dzongsar Jamyang Khyentse Rinpoche

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“Sprul yet Tsaay”

ཡེ – primordial – ye or je

བརྩེ་བ – compassion – tsay

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ཡེ

waldo1) first, primordial, beginning, original, eternal[ly] fundamental; 2) always, constant
valbyfrom the beginning, from eternity, utterly, perfectly, highly, quite, from the very beginning, principle of light & being, basic
barrontimeless; atemporal

བརྩེ་བ

rangjungbenevolent, affection, compassion, love, merciful, care for. love; to love (v); loving kindness; to love/ feel affection; to love, love, kindness, to count up, mercy, affection, playing with; {brtse ba, brtse ba, brtse ba} intr. v.; ft. of {rtse ba}
waldo1) will play [f rtse ba]; 2) (Tha mi dad pa,, 1 be unbearable; 2) affection, compassionate, pity, [p brtses],, love, have concern/ compassion, merci[ful], kind[ness], benevolent affection, compassion, love, care for, count up, play w
valbyresponsive, kindness, tenderness, benevolent, affection, compassion, love, merciful, mercy, fervent love

སྤྲུལ་

Sprul

Hopkins 2015send forth an emanation; emanate; emanation
Rangjung Yeshecreated, ཡིད་ mentally. emanated, “incarnated”, apparitional, magical, emanating, emanation, nirmanakaya, miraculous, transformed [into], manifested. vi. to change / transform [miraculously]; imp. of སྤྲུལ་བ་
Hackett Defi­nitions 2015(PH) snake
James Valbyjuggle, make phantoms appear, transform creation, emanating, recasting oneself, snake, 1 of ‘jigs pa rnam par brgyad, abbr for sprul sku
Ives Waldo1) mentally created/ emanated [as]; 2) incarnated; 3) apparitional, magical, miraculous, transformed [~into] emanated[ing][tion]; 4) nirmanakaya; 5) manifest, change/ transform [miraculously]

སྤྲུལ་ ཡེ བརྩེ་བ

Sprul ye tsay

Emanation of primordial compassion

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Avalokiteshvara or  Avalokiteśvara

In Buddhism, Avalokiteśvara (meaning “the lord who looks down”, also known as Lokeśvara (“Lord of the World”) and Chenrezig (in Tibetan), is a tenth-level bodhisattva associated with great compassion (mahakaruṇā). He is often associated with Amitabha Buddha.

Wikipedia

Avalokiteshvara (Skt. Avalokiteśvara; Tib. སྤྱན་རས་གཟིགས་ or སྤྱན་རས་གཟིགས་དབང་ཕྱུག, Chenrezik or chenrezig wangchuk, Wyl. spyan ras gzigs or spyan ras gzigs dbang phyug) is said to be the essence of the speech of all the buddhas and the incarnation of their compassion.

As one of the Eight Great Close Sons, he is usually depicted as white in colour and holding a lotus.

He is of special importance to Tibetans, so much so that he is sometimes described as the patron deity of Tibet. Among his emanations are King Songtsen Gampo—who is credited with authoring the Mani Kabum, a cycle of teachings and practices dedicated to the deity—as well as the lineages of Dalai Lamas and Karmapas.

Rigpa Wiki

Hokkaido – Golden Pins – Tibetan Phrases – Road Trip – Dream 07-02-2025

Here is this morning’s dream had between 4 and 8 AM.

The dream opens in Japan specifically Hokkaido. I am indoors in a hectic setting, a kind of big event hall. I am competing in a game which is part physical plane sprint racing and part abstract computer intelligence game. Each round is set off by a buzzer and the contestants have to make their way to the finish line within the context of the duality. In the booth next to me is a tall slim Japanese man. The buzzer sounds and the race begins. In both scenarios he just beats me. I come second in the race.

We both go over the left of the finish line in the computer world and in the thing which holds up the finish flag are the positional pins. We each select a tiny golden micro-pin which has the positional letter. My pin ends in a golden 2, his a golden 1. I place the pin in my shirt pocket on the left hand side of my chest. The race repeats several times and each time the result is the same. I soon have quite a collection of golden two pins in my shirt pocket. The “competition” finishes.

I am then walking through a busy brightly lit mall. I am in a food court in which various Japanese food outlets are selling street food. The atmosphere is pungent and very lively. The food on offer is highly coloured and from around the globe. I cannot decide. I walk over to a burger joint and a Japanese woman asks me what I would like. It is her job to serve me and be of assistance. She is very friendly, lively and with excellent English {UK}. I say that I would like a small burger and fries and for her to surprise me. She brings my food over together with a large bottle of top-end Japanese spring water. She sits next to me and helps me to eat.

I go back to my rooms; they are executive and above parr. I am unsure as to what to do next. I have no return flight. So, I start to look up flights from Sapporo to Queensland Australia. The Idea being that I land in Townsville or Brisbane and buy a second hand car to drive to the Isa {Mt Isa}.

I pause and take a stroll. Outside in the car park is my ex-wife. She is in a beat up camper van and I can hear her snoring. The van is a mess. I go back inside. She knocks on the door. I open it. She asks how I am coping with the water. Just fine. She says that she had problems getting served at the food court and did not like the tap water. I say that she probably had problems communicating. With the Japanese it is very important to listen. If you don’t listen carefully to what they say they consider you rude and vulgar. I say that listening was never one of her skills. I point to the bottle of top-end spring water on the side and say that she can take it back to her camper van, her brumby. This she does…

I hear the song from Men at Work, I come from the land down under, “travelling in a beat up brumby”.

I decide against going to Queensland.

Instead, I must take a road trip. I see in my minds eye a map showing Hokkaido and Sapporo with mainland Asia and Vladivostok. I know that I can easily get a boat to Vladivostok and that I could drive from there to Wiltshire. I resolve in the dream to look up a route on AA route planner when I get up. I know that I must go via Mongolia and that it will be a long trip.


Here is AA Router planner route Vladivostok to Calais. Distance ~ 8000 miles.


I start out on my route and part the way along in or near Mongolia I am given two white plaques of an irregular shape. Phonetically these plates speak in the dream. They say, “Mon yet {yat} Dzong” and “Sprul yet Tsaay” I can see the associated Tibetan script but cannot associate it directly with the phonetics.

The dream ends

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Sprul

The concept of tulpas has origins in the Buddhist nirmāṇakāya, translated in Tibetan as sprul-pa (སྤྲུལ་པ་): the earthly bodies that a buddha manifests in order to teach those who have not attained nirvana. The western understanding of tulpas was developed by twentieth-century European mystical explorers, who interpreted the idea independently of Buddhahood

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1) Trulku (in Tibetan: sprul sku) — Literally the “emanation body” of a buddha. In a Tibetan context, a trulku (often given the epithet rinpoché, “precious one”) denotes the chosen reincarnation of a lama of high spiritual stature. A trulku usually inherits his (or her) predecessor’s prestige, wealth, and institutional seat. Important trulku lineages include the Dalai and Panchen Lamas and the Karmapas, who originated the tradition in the thirteenth century

2) sprul sku (སྤྲུལ་སྐུ) (Tibetan; in Sanskrit: nirmāṇakāya) — (lit. “Emanation body”) — Within the compass of the formbody, the aspect of a buddha that appears for the sake of ordinary sentient beings. A single buddha may manifest multiple emanation bodies, which may be in human, animal, or inanimate form. The “historical Buddha” Śākyamuni is generally regarded as an emanation body. The Tibetan term for emanation body, trulku, is used to designate a deliberately reincarnated lama

Sprul

སྤྲུལ་ send forth an emanation; emanate; emanation

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Mon

མོན་

Bhutan; Mon, a district in Tibet

Mön

Mon. Name for lands to the south and southwest of Tibet

Dzong

Dzong (Tib. རྫོང་, Wyl. rdzong) — literally a ‘fortress’, the equivalent of a monastery in Bhutan.

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Le dzong du Bhoutan est un monastère-forteresse bouddhiste caractéristique du Bhoutan.

Les premiers dzongs furent construits dans le pays dès le XIIe siècle, mais leur âge d’or fut la première moitié du XVIIe siècle qui vit le renforcement défensif du pays par le shabdrung ou grand lama Ngawang Namgyal (1594-1651), l’unificateur du Bhoutan moderne.

Bridge – Posh House – Special Needs -Cooking – Dead Drop – Filing Cabinet Dream 02-02-2025

The first part of the dream was had between 6 and 6:31 AM this morning. I then went back into the dream.

The dream opens with me driving down a bitumen private country road on an estate towards a bridge over a fair sized river, tens of metres across. There has been recent flooding. I drive onto the bridge and see that the far side of it has been eroded. Nevertheless, I can drive off the bridge and continue on. I am less sure about the return journey. I pull up on to a large, gravelled parking area in front of a large house / mansion. It is quintessentially English and similar to that of one of my prior tutees. The sense is that I have come here on a similar purpose of teaching.

I knock and enter and am welcomed by a man of similar age to me dressed in tweeds. He ushers me in and inquires about the journey. I mention the bridge. He says that the lads are working on a lash up. He shows me into a lounge like area and we are joined by his wife a younger woman with dark hair. It is obvious that they are both upper class, she in particular. Their accents are clipped.

We make our way out. At the side of hallway there is a white computer screen upon which are cartoons portraying the weather of the day in some detail. I comment that it is a nice simple touch. They look at each other in a light hearted conspiratorial manner.

We go to inspect the bridge. I can see that it will be difficult to get my car back on the bridge. In the dream I know that it will be easy for me to pick it up by hand and place it onto the bridge, even though it is a normal sized normal car.

The lads are sailing a barge downstream towards the bridge. It has a military style pontoon bridge on it. They anchor and secure the pontoon in place. I get onto the pontoon with them and lift a car which is already on the pontoon off onto dry land. I can and do drive my car over the pontoon and park up the other side.

I am now sat at table with the woman and her two sons We are in the orangery and the youngest son is serving us a curry from a deep sided old style metal mass catering serving tray. It has handles which are lose and held to the tray with rivets. The meal is good. He asks if I need some more spices to thicken the sauce. He offers me a small plate upon which are turmeric, cumin and garam masala. I say that the curry is just fine as it is, lovely. The mother is delighted. She is wearing blue jeans and an expensive pink jumper.  I say that I like things simple. They all look at each other. I say, “you lot as a family have got something weird going on about simple.” They all smile.

The older brother is doing very well in school but the younger one is seen as a bit odd. He has some special needs. I say to them that when I was a little older than the younger lad, I used to do a lot of the cooking for the family. The younger teenager says that he does too. There is a peculiar instant sense of bonding between us.

I wake up and go to the loo. The wife says that I have been kicking about.

I try to return to the dream.

I am back at table in the orangery. The woman is sat where she was previously but her jeans are unzipped to reveal light pastel blue underwear. I am not sure what this means. What has transpired, what she wants. It then dawns on me that she is indicating that both the boys came out of her.

The younger boy then takes me by the hand and leads me out of the orangery and into a walled garden. The walls are made of very red bricks and the garden is where chef grows his herbs and vegetables. The younger lad is a friend of the chef.

He takes me behind a small green house and eases a stone out of the wall. It is like a cold war dead drop. In the cavity there is a white piece of paper which at first looks to have nothing on it. The lad puts the brick back and unfolds the paper upon which is a map of sorts sketched by hand.

The lad leads me from the walled garden into the basement kitchen and thence to a basement room. He turns on the fluorescent light overhead. The stark lighting reveals a number of filing cabinets. He shows me one in olive-khaki green. The drawers have handwritten labels which have yellowed with age. The writing has been done with a fountain pen is a sloped script which I know to be that of a female. There is a locking bar down the face of the cabinet. At the bottom the padlock has been removed by the lad. He shows me it. Implicit is that the key is in his trouser pocket. There is a sense that this archive dates back to the second world war and that nobody knows what to do with it nor can they decipher it. It has been in the safe keeping of his family.

The dream ends.

Senzar Shower Dream 5-2-2012

This dream excerpt is part of a longer dream which starts in the foyer between Chemistry and Biochemistry at Imperial College in South Kensington. The dream gets increasingly less mundane and leads to this. This excerpt although brief in description was very long in “duration”.

I am now in a square room. It is very grand and ornate. I look up at the ceiling and the pattern there changes into hieroglyphs which detach from it and hang suspended in three dimensions. They are shimmering and in gold. I spend a great deal of time looking at these. I know them to be the senzar “alphabet”. I am caught in a kind of light beam, a kind of shower. These ideograms rain down upon me. I have the senzar falling into me. I now know the senzar and that it is a part of me.

Dream ends

Dragon Lore Dream 23-11-2024

This is a short but very intense dream from ~ 4 AM

I am with MF whom I knew as an undergraduate. We are sat in the front room of a British house in which I am living temporarily. He is sat on leather bound armchair. We have invited him over for dinner. We have eaten and are relaxing in front of an open fire.

I am lying on my stomach on the floor. My legs are bent at the knee and moving freely. I am reading my beat-up copy of “The Mists of Dragon Lore”. I can see the well-thumbed yellowed pages. I turn to the back of the book. Inside the hard cover is attached a vellum high quality cream envelope, the flap of which is sealed down with a fine bright red braided fabric. I slowly unwind the fabric and open the flap of the envelope.

With utmost care I pull out a card like piece of paper which is like artist’s paper. Embossed into the paper is an exquisitely drawn oriental dragon. It is in jet black ink and is something to behold. Next to it in fine black calligraphy is written in Kanji is “the famed black dragon”. I show the dragon to M he admires it and thinks it odd that such a print is stored in such a tatty old book.

In the dream I note that this is the very first black dragon I have encountered. I have seen many other colours.

With greatest care I return the artwork to its envelope and retie the seal.

The scene changes and I am now with M in a freight railway carriage. The carriage is empty of goods. M turns to me and says that the mullahs are talking about the coming of a new buddha. I ask if he is referring to the Islamic mullahs. Yes. I say that I know a little bit about Buddhism.

M gets out a prayer mat and places it in one corner of the carriage. He sits on it. Two young white boys, young teenagers, follow suit sitting next to him. Without a prayer mat, I sit next to the youngest boy. I put my hand on his shoulder to comfort him.

The scene changes again and I am no longer in the carriage nor bound by the rails. I can go wherever I want.

Dream ends.