Hokkaido – Golden Pins – Tibetan Phrases – Road Trip – Dream 07-02-2025

Here is this morning’s dream had between 4 and 8 AM.

The dream opens in Japan specifically Hokkaido. I am indoors in a hectic setting, a kind of big event hall. I am competing in a game which is part physical plane sprint racing and part abstract computer intelligence game. Each round is set off by a buzzer and the contestants have to make their way to the finish line within the context of the duality. In the booth next to me is a tall slim Japanese man. The buzzer sounds and the race begins. In both scenarios he just beats me. I come second in the race.

We both go over the left of the finish line in the computer world and in the thing which holds up the finish flag are the positional pins. We each select a tiny golden micro-pin which has the positional letter. My pin ends in a golden 2, his a golden 1. I place the pin in my shirt pocket on the left hand side of my chest. The race repeats several times and each time the result is the same. I soon have quite a collection of golden two pins in my shirt pocket. The “competition” finishes.

I am then walking through a busy brightly lit mall. I am in a food court in which various Japanese food outlets are selling street food. The atmosphere is pungent and very lively. The food on offer is highly coloured and from around the globe. I cannot decide. I walk over to a burger joint and a Japanese woman asks me what I would like. It is her job to serve me and be of assistance. She is very friendly, lively and with excellent English {UK}. I say that I would like a small burger and fries and for her to surprise me. She brings my food over together with a large bottle of top-end Japanese spring water. She sits next to me and helps me to eat.

I go back to my rooms; they are executive and above parr. I am unsure as to what to do next. I have no return flight. So, I start to look up flights from Sapporo to Queensland Australia. The Idea being that I land in Townsville or Brisbane and buy a second hand car to drive to the Isa {Mt Isa}.

I pause and take a stroll. Outside in the car park is my ex-wife. She is in a beat up camper van and I can hear her snoring. The van is a mess. I go back inside. She knocks on the door. I open it. She asks how I am coping with the water. Just fine. She says that she had problems getting served at the food court and did not like the tap water. I say that she probably had problems communicating. With the Japanese it is very important to listen. If you don’t listen carefully to what they say they consider you rude and vulgar. I say that listening was never one of her skills. I point to the bottle of top-end spring water on the side and say that she can take it back to her camper van, her brumby. This she does…

I hear the song from Men at Work, I come from the land down under, “travelling in a beat up brumby”.

I decide against going to Queensland.

Instead, I must take a road trip. I see in my minds eye a map showing Hokkaido and Sapporo with mainland Asia and Vladivostok. I know that I can easily get a boat to Vladivostok and that I could drive from there to Wiltshire. I resolve in the dream to look up a route on AA route planner when I get up. I know that I must go via Mongolia and that it will be a long trip.


Here is AA Router planner route Vladivostok to Calais. Distance ~ 8000 miles.


I start out on my route and part the way along in or near Mongolia I am given two white plaques of an irregular shape. Phonetically these plates speak in the dream. They say, “Mon yet {yat} Dzong” and “Sprul yet Tsaay” I can see the associated Tibetan script but cannot associate it directly with the phonetics.

The dream ends

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Sprul

The concept of tulpas has origins in the Buddhist nirmāṇakāya, translated in Tibetan as sprul-pa (སྤྲུལ་པ་): the earthly bodies that a buddha manifests in order to teach those who have not attained nirvana. The western understanding of tulpas was developed by twentieth-century European mystical explorers, who interpreted the idea independently of Buddhahood

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1) Trulku (in Tibetan: sprul sku) — Literally the “emanation body” of a buddha. In a Tibetan context, a trulku (often given the epithet rinpoché, “precious one”) denotes the chosen reincarnation of a lama of high spiritual stature. A trulku usually inherits his (or her) predecessor’s prestige, wealth, and institutional seat. Important trulku lineages include the Dalai and Panchen Lamas and the Karmapas, who originated the tradition in the thirteenth century

2) sprul sku (སྤྲུལ་སྐུ) (Tibetan; in Sanskrit: nirmāṇakāya) — (lit. “Emanation body”) — Within the compass of the formbody, the aspect of a buddha that appears for the sake of ordinary sentient beings. A single buddha may manifest multiple emanation bodies, which may be in human, animal, or inanimate form. The “historical Buddha” Śākyamuni is generally regarded as an emanation body. The Tibetan term for emanation body, trulku, is used to designate a deliberately reincarnated lama

Sprul

སྤྲུལ་ send forth an emanation; emanate; emanation

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Mon

མོན་

Bhutan; Mon, a district in Tibet

Mön

Mon. Name for lands to the south and southwest of Tibet

Dzong

Dzong (Tib. རྫོང་, Wyl. rdzong) — literally a ‘fortress’, the equivalent of a monastery in Bhutan.

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Le dzong du Bhoutan est un monastère-forteresse bouddhiste caractéristique du Bhoutan.

Les premiers dzongs furent construits dans le pays dès le XIIe siècle, mais leur âge d’or fut la première moitié du XVIIe siècle qui vit le renforcement défensif du pays par le shabdrung ou grand lama Ngawang Namgyal (1594-1651), l’unificateur du Bhoutan moderne.

Cats – Dogs – Alien Pods – Caduceus Dream 26 -01-2025

This dream was from between 2 and 5 AM this morning.

The dream opens in Imperial College, South Kensington Campus. I am walking from Chemistry to the Sherfield building. On the first floor I pass a meeting area / café where people are sat around table having “important” meetings. I see a white sofa with vinyl / fake leather cushions. I pick up a white seat cushion and take it with me to a carpeted chill out area. There are many young people sat there on the thick pile carpet.

At the back of the room near the wall is a big sofa. I go and park my cushion there. On the sofa is sat a young black man with his black cat who has luxuriant fur and is wearing glasses. The cat greets me and nuzzles. The man has two other cats with him, making a total of three. He asks if I have cats. Yes, we have one.

I turn my back and he morphs into a large black and brown coon hound {image checked on Google} with him on the sofa is Rhodesian Ridgeback. The coon hound comes over to me, still seated and makes a fuss of me slobbering slightly. The cats have disappeared.

I get up and leave the building wearing no shoes only black woollen socks. I start to wark around South Kensington. In the sky I can see strange disturbances where pods materialise out of thin air and start to descend to slowly to earth, I know they are not of this planet.

I decide to go back into Sherfield to get my boots and lap top. In the dream I know that I might need them in the days to come. I put on my ankle length boots which have a three golden buckles to the outer side of each foot. The boots are pointy and made of high quality leather. My lap top is in a black carry case with a shoulder strap.

I continue my exploration of that part of London. I note multiple more pods arrive. As they materialise there is a temporary rip in space-time. There is no sound associated nor do I hear any landing.

I am now in a covered area open to the air. I am giving a talk to a small number of people al fresco. I am running a small video camera which is recording. It is capturing multiple materialisation events. Someone says that perhaps I should offer this to the BBC.

There is much consternation about the events happening and warnings are issued by the government. I find a small antique red covered book and am reading it. A man comes over and inspects. He says that it is a shame it is in disrepair. I offer it to him and he accepts as if it is a treasure. He will restore it.

The alien pods have started to cause people to float as if relatively gravity free. This means that I can fly without it causing comment. So, I start bouncing far off the ground for joy. I can see that R is heading a bit too swiftly back to earth so using telekinesis I slow his descent.

I decide that I need to go home and search for a tube station. I have been wandering and come across a Central Line station. The announcer warns that due to fuel shortages they are running a much reduced service. I know that I need to change to the Victoria Line to get home to South London, Brixton. I have not used the tube in decades.  A young woman takes pity on me and helps me find the appropriate station and to use the last ever coin operated ticket machine. The fare is three euros. I take three bright green euro coins out of my pocket in turn and pay for my ticket. Which arrives like an old-school paper bus ticket.

The young woman is going my way. I note that she is skinny and only wearing a white t-shirt. She is cold. I offer her my jacket, which she tries on. It is way too big. I suggest that she sits on my lap and that we both wear the jacket with two arms per sleeve. This will warm her up for the onward journey when we part ways. The tube arrive and heads East to the junction with the Victoria Line. The woman is sat on my lap and we share the jacket until I get off.

I arrive in Brixton. It is pitch black with reduced street lighting and the early hours of the morning. The market from Electric Avenue has spilled out onto the high street because there are no cars running. There is a kind of party atmosphere.

I walk through the market and climb the stairs to my apartment. I enter and close the white door. As a precaution I also slip across the white painted locking bolt. I sit down at the table and boot up my lap top.

I hear a knock at the door. I go closer. A voice says open up the door. I say who is it? It repeats just open the door. The voice is female.

Cautiously I open the door and standing there is a young woman holding an A4 sized porcelain upon which is painted a golden Caduceus superimposed on three intersecting circles such that the point where the snakes head meets the staff is at the centre of the three circles.  She hands me the porcelain and says, “this is yours”. I take the porcelain and it feels light and familiar in my hands. I can also feel it within me.

The dream ends.



Five Dreams With “Calligraphy” In…

Sanskrit-Senzar- Messenger Dream 26th May 2014

I am standing in a column of light which is shining down on me. It comes from above. As the light shines on me it etches into my skin black tattoos, these form on my arms, my legs, my chest and my back. They are letters, words and phrases in Sanskrit and Senzar. The letters are in a black ink and cover pretty much my entire body much like the Bulletproof Monk. I carry these letters.

Next, I am in a city landscape and everyone is going to a party at city hall. There is a concert on there and people are gathering. There is an ensemble playing, it is like the Academy of Ancient Music and the instruments are all original period pieces. They are up on stage. On the ground floor and in a “box” is Princess Anne.

By this time, I have told people about the tattoos and nobody believes me. There has been some press interest but the men with their 1950’s style newshound flash cameras have lost interest. This is because there is nothing to see. The party continues on undisturbed.

I now find myself in a department store which is old style. I am curled up on the floor near a counter wearing a grey long sleeved shirt. The shop people find me there and nudge me to get up. I get up and as I do so the sleeves of my shirt fall back to reveal a list of tattoos in Sanskrit, Senzar and Chinese. These are now in very vivid royal blue and the calligraphy is exquisite, it is almost moving and definitely alive and vivacious.

The store staff are all bewildered by this and take me to a back office. In the foyer to this back office are two small Tibeto-Chinese figures. They are dressed in ceremonial costumes and approach me. They are dwarves and twins. I show them my forearms and they recognize the Sanskrit and Chinese characters; they guess that the others must be Senzar. The tattoos are now moving like a “stock ticker” scrolling across my arms. The dwarves are awestruck.

Whilst I am waiting for the store staff, I get bored and so leave the store, into a busy “New York” city street. It is raining heavily and my shirt gets wet through. It is clinging to me. I am wandering through the city in the rain with these vivid mobile, deep royal blue tattoos being the only coloured thing in a grey and black and white-grey world.

In the dream I know that I am carrying messages. I am by way of a messenger.

Later people gather around me and I show them my forearms. People now start to believe what I have told them before and all are astounded by the tattoos. I show church leaders and statesman. They are all stunned.

IIn the city the younger people are setting up to go to a house party. It is the usual thing and people are gathering to go to someone’s house. They are all too busy with partying. They do not realize that the “party” is at my house.

I am now on a roof and there is a stack of old billboard type advertisements. There are several of us and we are sorting them. There is one which reads Toltec 7-14 which we find and as we do this one of the phrases in Senzar lights up on my arm. It says “Toltec 7-14 New Book” in Senzar. I know its meaning. I know it is both a date and has the meaning of dreaming symbols {7= guidance and 14 = new knowledge}.

I awake with very strong sensations on and in my forearms and chest. These are very similar to when I had the visions of myself in Buddhist monks robes and tattoos in Sanskrit of inter alia “Om Mane Padme Hum” nearly a decade ago. I can feel the place where the dream tattoos were, particularly on my forearms.

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Megatron – Magic Dream 19-12-22

It was a dark and stormy night I had woken at 4:30 and listened to the storm. At one point I heard a persistent high pitched whine in my left ear only. It lasted more than ten seconds. I must have drifted off to sleep around 7 AM and according to the wife I was kicking about.

The dream is set in Australia. I arrive at a dockland area. There are two vast cranes which are stacked with cars like car transporters. They are lifting these up into the sky. I, slightly nervously, walk under them and into a space below a spacious bridge. There is a gathering of people there sat on the floor. There are mostly young and I understand it to be a science outreach event called the Megatron. Z and Y are there. I sit down outside the gathering proper and listen in.

Z, seated on the floor, is boasting about all the other events they have done including one in the prestigious Sydney docks, they managed to close off some famous street. He is telling the participants that they should count themselves lucky to be here and that all the others are zeros. I get up and walk over to him and clip him on the head. He drops a white glass plate which he is holding and it breaks when it hits the ground. I say that he is setting a very bad example telling the youngsters that other people are zeros. He gets up nervously and I make as if to clip him again. He avoids and I chase him slowly around the listening circle. Every time I feign to clip him, he cowers and avoids. I turn my back on him and walk to the bridge wall. There I pick up my cigarettes, my mobile ‘phone and my fishing rod. I know that he does not understand the true meaning of zero. I walk off and they are all surprised that I am leaving the event.

I walk towards a town centre. As I do this, I smoke a cigarette. I put the packet and my ‘phone in my back right hand pocket. The sensation of smoking in the dream is very realistic. After I finish smoking, I transfer my green fishing rod to my right hand.

As I am walking along the street, I notice a little boutique selling artefacts, these are pieces of tree branch decorated with mother of pearl and other seashells. Some of them function as windmills. They are very shiny and sparkly. A woman who runs the shop notices me looking at the shells and artefacts. I comment that they are highly unusual are very attractive. She says that there are more upstairs and would I like to come in. I put my fishing rod to lean against a wall. I follow her up a very tight spiral staircase carved out of an orange-brown wood. We arrive at a landing and there is a two door thigh high swing gate fashioned out of the same wood. She lifts up the latch and ushers me in. She closes the door behind me.

We go deeper into the building.  A young woman with dark hair arrives. This is my daughter Helen says the older woman. I say hello and she replies.

“Helen is trying to go to the Megatron and has applied. They have asked her to do a montage as an application. Would you look at it for us?”

“Sure”

Helen hands me her montage which is between two cardboard covers of an intense dark brown colour. There are many laves of paper. Her pictures and calligraphy are exquisite. Some of it written in a metallic gold ink, which is gold in colour but not of gold.

I am very impressed with what she has put together. I ask to see the letter outlining the task.

This letter is handwritten on dark purple paper. And sure enough the instructions are there. They look to have been written in two different hands. One by a woman and the last paragraph by a man.

I show this to the woman who at first disagrees and then agrees. The writing again is in a sloping italic “metallic” ink.

As this point a large semi-bald man comes through the wooden gate. He is wearing a brown camel hair coat and is larger than life in his presence. He comes over to me and shakes my hand. He is the father of Helen.

My eye is drawn to a farmyard scene make out of porcelain statues. There are deer, two piglets, a dog and a cow. As soon as he finished shaking my hand the scene animates and comes to life. I know it is magic. Two deer come over to greet the man and I offer them the back of my hand to smell, which they do. The piglets start squealing and running all over the place. They run over my feet. Everybody now has sparkly eyes.

The man asks If Helen’s application is good. I say to her that it is very good but not to tell them about her magic animals. 

The man asks If I will be at the Megatron. I say no and that now I am staying at Alice {Springs}.

He asks if I am going back there tonight.

“Yes.”

“Are you flying?”

“I will get there.”

I wish Helen luck and then go to leave.

The man says to be careful with the gate otherwise the piglets will escape.

I go out through the gate, closing it behind me. I go downstairs, pick up my fishing rod and walk out into the normal city street.

I am aware that this dream pertains to a tarot card.

Dream ends

From Wikipedia:

Megatron is a fictional character and the main antagonist of the Transformers media franchise produced by American toy company Hasbro and Japanese toy company Takara Tomy. Megatron is the cruel and tyrannical leader of the Decepticons, a faction of sentient, war-mongering robotic lifeforms that seeks to conquer their home planet of Cybertron and the rest of the known universe. He serves as the archenemy of Optimus Prime, the leader of the rival Autobot faction. As with all Cybertronians, Megatron has the ability to transform between his robot form and various vehicles or weapons. His alternate modes have ranged from a Walther P38 handgun, a particle-beam weapon, a telescopic laser cannon, and a Cybertronian jet, depending on which continuity he is depicted in.

Megatron’s most consistent origin portrays him as having risen up from being an oppressed worker to a gladiatorial champion who took the legendary name of one of the original Thirteen Primes—Megatronus—as his own. He shortened his name when he became a political revolutionary who attempted to reform Cybertron’s corrupt governing body and called for an end to its decrepit caste system. As the mentor of the young Orion Pax, Megatron preached that freedom of self-determination was the right of all sentient beings. When Megatron grew corrupted by his power, Orion would utilize his teachings against him as Optimus Prime. In most incarnations, Megatron would eventually meet his demise at Optimus’ hands, only to later be resurrected as Galvatron.”

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Magic Fayre Dream 8-1-23

This is an extensive dreaming sequence whereby I woke up and then went back to sleep, re-entering the same dream.

I arrive at a middle size country mansion constructed in red bricks. There is a temporary car park roped of at a distance to the mansion and signage saying “Magic Fayre” pointing along the drive towards the mansion. The gardens are immaculate and it is a fine summer’s day. Many of the people are dressed for an English country garden party. I walk along to the entrance and wait in line.

When it is my turn to enter the gentleman on the door gives me a red plastic circular token with the number 16 printed upon it in raised yellow lettering. He says that I am getting a kind of VIP pass. All the other guests have pale yellow tokens with numbers starting at 200.

I go in and there are various exhibition style booths. At the first one there are two young women. Their stand is called “Modern Witchcraft”. On the stand there are examples of handicrafts and immaculate calligraphy. The two women are dressed in very smart stylish outfits without a trace of goth. They tell me that they are white witches and want to bring witchcraft into the 21st century. They are tired of the skanky image of witches and want to smarten it up. They say that the lost of art of spell calligraphy needs to be reborn and brought up to an impeccable level. I comment that I fully support what they are doing, the image needs to change. They beam with joy.

On the next stand there is a woman with long dark hair selling exotic candles of all shapes and sizes. Several of them are alight and the aroma is spiced and not unpleasant and manufactured like that of Yankee candles. It seems the woman has manged to make candles smell like exotic incense. I take the thumb and forefinger of my right hand and extinguish one candle between them. I am left with a light blue drop of oily liquid on my thumb. The drop is perfectly shaped. The woman claps her hands and says, “bravo”. She asks me to manually pleasure her which I do quietly beneath her table. She is wearing brown bikini bottoms which I push to one side.

I decide that I need to go back outside. There are a few people sat on the large stones which demarcate the drive. I find an empty one and take out an herbal marijuana joint which I spark up. A1 a man arrives and looks surprised to see me doing this. We chat briefly. The organiser of the event wearing a trilby and a beige suit comes over. He says that smoking weed is not allowed. I apologise. He says that I owe him a “sitting” in the basement if I can hack it. I agree to try.

I go back int the building and arrive at some demonstration area. There is a large head in a glass tank. The head is very much alive and the fluid which surrounds it is pulsating. He asks me to sit down on a chair at a distance from him and we tune into each other a little. Then he sends various articles towards me using telekinesis. The idea is that I must catch the objects with my hands. I manage to catch about 80% of the things he sends at me. The ones that I drop are all made of plastic. He notes this and thinks it funny that I cannot feel the plastic, whereas glass, metal and wood are easy for me to “pick up”. He is really happy and a sparkle appears in his one eye which is facing me.

He says to me in a booming telepathic voice, “you need to work with groups.”

I move on to the stairs and down into the basement. There is a well-lit library there with light wooden shelving and several librarians there. I know this library to be a library of white magic. I ask one of the librarians where to go for my “sitting”. She motions me to an armoured door in the corner of the room, in which there is a small glass window. She asks me to please close the door behind me until the “sitting” is over.

I go over to the door open it and walk through. I get my bearings and I am in a whitewashed medieval style cellar. I go back to the door close it and sit cross legged in the middle of the room. It very dark and quiet. The only light comes from the small window in the door. I start to meditate and close my eyes sinking in the darkness. Slowly a glowing rod of light appears. It is about 30cm long and less than 1cm wide. It is slowly alternating from white through pink to red and through pink back to white. I know that I cannot pick it up with my hands. So, I elevate it and bring it within my Anja centre. I absorb it and understand that I now have to radiate it out into the room. I do this for a fair time radiating a pinkish light into the otherwise dark cellar. I am aware that the librarian can see the pulsing glow. When I leave the room, the librarians are smiling I have fulfilled my task.

I come to

Next, I am outside the mansion again it is later towards the end of the afternoon. I am outside with A2 also a man.  We are standing near a rucksack on the floor. He says that he is changing his ways and is going to participate in a practise called Yeshe*-lam. I ask his if him if he knows what Yeshe means. He admits that he does not. I keep quiet. For some reason he is trying to impress me.

We go into the Magic Fayre. Several of the stands are closing up. At the back there is a table with three men in business suits going over some paperwork. I go over to ask them what they are doing. One of them says that they work for Samsung who have sponsored the event. I see that he has some accounts and joke that he should hide them from A2 who is an accountant. He plays as if to hide them. He asks me what I thought of the event. I say that it was well run, meticulously organised and very good. He comments that he is pleased that their investment has worked.

He says that he is going to work with lama Yeshe. I ask him how long he has been working with Tibetan Buddhism and the Bardo teachings. He comments intermittently. He takes one third of the year sabbatical to do this. He cannot work full on for Samsung and do Bardo at the same time, they do not mix well.

We go back outside to the ruck sack. Out of the corner of my eye I see two giant figures, one a mediaeval king {with crown} and the other some kind of knight they are over five metres tall and the same height as a big water tower. The king is fighting with the knight and is trying to kill him with a sword. They fall over knocking the tower to the ground. I motion to A2 to come with me into a stone built folly. Which he does.

Soon a number of larger figures come into the property. They start to fire arrows at us but I can deflect them with my mind.

I come to.

Next, I am outside my flat in North London. I know it is a bit of a mess. I open the door and on the floor in the corner of the room is sat an Indian “guru” in saffron robes and with long flowing grey hair. He smiles. I apologise for the mess. He says that it is of no import.

A2 turns up and says that he is hungry. I say that I have no food but that there are plenty of restaurants, nearby. I reel off the types of restaurant and we decide to go to a fish restaurant nearby. I say to the “guru” we will be back soon.

After we have eaten, I leave A2 at the restaurant and head back to the flat. When I open the door there is another “Indian” man sat on the floor meditating he is dressed in a 1950’s style suite with a black Muslim cap. He feels serene.

I come to.

I do drift back off but I can’t recall accurately what happens.

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*Yeshe (Tibetan: ཡེ་ཤེས་, Wylie: ye-shes, ZYPY: Yêxê) is a Tibetan term meaning wisdom and is analogous to jnana in Sanskrit.

The memory of this was prompted by one of the checkout ladies at the supermarket who has large witchy tattoos. There are quite a few women with tattoos like that around here.

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Tibetan Buddhist Search Committee Dream 29-04-23.

This dream was so out of the blue, unexpected.

The dream starts in the UK in England. I am hosting a personal development course in a country house with a large events room. We are sat in plenary in U-shape around the side of the high ceiling dance hall. It is ornate but now carpeted. A smartly dressed tall woman with a feint American accent and long blonde hair is speaking on a slightly raised wooden dais. She is using a long wooden pointer to point at a presentation she is making, which is running on a white screen.

It is time for a break before the final closing remarks and conference wrap up.

Everyone gets up for refreshments which are served in the antechamber. I walk through this into the back of the house which turns into a smaller building. This is where I have been living in the UK countryside. There is a wooden shed and outbuildings. I am checking on the content of these as we will be moving soon. Someone has started moving the items of furniture. I say to a woman there that she ought to have known better not to disturb my system. There is a symmetry to how I have fitted things in the shed. They only go in one way and must come out the reverse way. The passage to the shed is narrow and there is only one way to do this. I am slightly angry and the people are sheepish.

I return to the conference and it is over. Everyone has left, they are all people from my past in one sense. I have missed my chance to do the summing up and to thank the speaker. They have mostly left in embarrassment. The sense of embarrassment is strong and clear.

The speaker is now playing a video recording of semi-rural Tibet. The camera is running through the streets and I can see a large white and brown temple up on the hill. There are prayer flags and modern Tibetan people together with some more rustic “peasants”. I look at the woman and she has changed into an embroidered gold and red jacket over her novice nun robes. He hair is now short. I ask her about the video she says that it is of her people and that she has been working for them in making my acquaintance.

At this point a small party of people enter the room. They are all dressed in ceremonial Tibetan robes. These are very opulent. The embroidery is yellow, red, magenta, and saffron. It is ornate and slightly garish. There is a scent of incense accompanying them They are headed by a monk/abbot who is old and his right hand man who has jet black hair.  In the entourage there is a western woman with a round yellow-red embroidered cap over her bald head. I recognise her as someone whom I have met in this lifetime. I go up to her and say, “I know you”. She winks, smiles and says that yes, I do and that she had been sent to observe me. Amongst them is a tall athletic Tibetan man who moves with grace, poise and style. I point my finger into his chest. I say to him, “you are warrior and fighter.” He laughs and says yes. We can spar later using traditional Tibetan weapons to see what I remember.

Now into the back of the room furniture is being carried in by hand. I know it to be of a ceremonial nature and his has been carried from afar. My eyes are drawn to a very ornate chest with meticulous cabinet work. It is made in the shape of a Welsh dresser with an upper cupboard. The wood is highly polished, perhaps walnut. The detail of the closures is in gold.  It is a treasure and contained within it are relics. Although not visible to the naked eye, inscribed into the wood in “magic” lettering are some words in Tibetan script. The calligraphy is excellent and the downward strokes of the letters are longer and more artistic than is customary. They have been inscribed with flourish. There is a sense that the intense black calligraphy has been “burned” into the wood over the centuries and that only certain people can see it.

The carpet on the floor of the hall has been rolled back to reveal a parquet dance floor of some considerable sheen. Amongst the entourage I can hear gossiping. “It cannot be him; he is too coarse thickset and muscular.”

I hear this and whip off my shirt to reveal my muscular bare chest. I say that I will cooperate with whatever it is they must do. Take a look if you must. I am now wearing saffron yellow trousers, training pants, that are “elasticated” at the ankles. I start to do a forward splits on the floor to warm up. I say that given I am nearly sixty I am surprised that being that old I can still do that.

One of the woman in the entourage says to me that I am much older than that both in this lifetime and stretching way back. I am nearly 73 she says. I do the mental calculation that I must have been “born” in the early 1950s. She says, “we tried to wake you five years ago”. You have been “asleep” and we have been waiting.

I briefly wake up and then drift off.

I am at an oriental Temple scene with ponds and in an immaculate garden. At first pass I think Chinese and then know Japanese. There are people there with round black ceremonial hats and flowing Japanese robes. I am poured into the pond as very large and bright, shiny goldfish. I swim in the Temple ponds and in the dream, I know that my second Buddhist life was Japanese. These ponds are my home, where I swim.

I the return to the hall in the previous part of the dream and the warrior comes into the room carrying some odd looking Tibetan martial arts weapons. Which I recognise. Some of the monks are now seated and are reciting mantra whilst thumbing through their prayer beads.

I have a very strong visual image of two yellow-hat Tibetan monks in full colour sat on a rock up in the mountains playing their long Tibetan alpine horns. That image and the sound persists even now. I can “hear” the horns inside my mind. They are precursors to a ritual, setting the scene.

 I get up and greet the cat. I take my medication and put the coffee on. I sit down and start typing.

——————————-

Two Mysterious Letters Dream 29-8-23.

I had this dream full of portent around 5 AM this morning.

I go into a brightly lit bedroom which is empty. At the far side of the room there is something on the wall. The walls are off white in colour and have a French feel. I can see just below head height, two small envelopes pinned to the wall by a long fine pin with a small black plastic spherical head. The envelopes are old school letter envelopes about the size of my hand. One envelope is mostly behind the other. They are white and of high quality.

On the front envelope is written is a very curly and fine light blue italic ink the words “Happy Families”. I know instantly that this is ironic. The calligraphy is exquisite and I know that these letters contain secrets in the act of being revealed to me. I leave the letters attached to the wall until the time is right.

I instantly have a knowing that my mother was in contact with my ex-wife unbeknownst to me and deliberately behind my back, in secret.

There is a sense of time in that these revelations of two different types will unfold henceforth.

I awake for a loo break and then go back to the dream.

I wonder if they are anything to do with Mrs Taraud {Tarot} from whom we bought the house. I energetically check the bedroom we are currently in and the one which used to be her bedroom. There is no trace of envelope in either room.

I am now outside and in a sandstone wall I can see something red on the wall. I approach and it is two small keys on a keyring with a small plastic tag on a nail in the wall. The tag is about two inches long and one inch wide, it is bright red. The tag has a handwritten piece of white card. The writing is again in a light blue ink, is smudged and cannot be deciphered. I know that the keys are meant for me. They will help me unlock the secrets. I pick up the keys and put my finger through the small key ring and give the keys a twirl. They are light. I put the keys in my pocket.

As I leave that part of the dream, I note the double appearance of the number two and know that it pertains to something now destined to happen.

 A little later I am in a courtyard by an outdoor swimming pool. There is a puppy there of a very luxurious black colour. It comes over to me and bites my right hand in a firm manner which does not hurt. It will not let go. I place the fingers and thumb of my left hand around its jaw pressure point and squeeze. The puppy opens its mouth and lets go. It is having great fun and bounces about in the courtyard.

The dream ends.

Royal Institution – Anál nathrach – Silver Bullet – Dream 27-01-2024

This dream is top end strange and perhaps re-presents an occult attack carried out on me.

The dream starts with a knowing that in group situations there is always one who lets the evil thoughts and emotions in. That person is usually of the number three and so it was in the past. The weak point for temptation is always the West and the people of that predilection.

It continues to a visual image of a building which I know to be The Royal Institution of Great Britain. Someone has gotten past security and is rampaging around the building. I quickly run about the building to see if it has the old back passages which only someone who lives there would know. It does not. I am with the pool of back office workers and secretaries. We close the door and lock it.

We hear a noise outside. A young blonde American woman who works for the CIA goes to look through the peep hole. The attacker looks back and she tries to stab it with a long pin. It does not work. She runs past me.

The door bursts open and the only partially human attacker comes in. I struggle with it physically. It is much stronger then me. It throws me around and rips a large radiator off the wall. I grab a small climbing ice pick off a desk. It presses me against the wall with the radiator and is starting to crush me. I start to hit its left hand with the ice pick stabbing it and drawing blood. The attacker does not seem to worry. I can see its right hand too and re-adjust to attack it. I can feel my ribs getting crushed.

I start to chant in deep voice getting ever deeper and stronger.

Anál nathrach,

orth’ bháis’s bethad,

do chél dénmha

 It is the charm of making.

I chant it over and over. Suddenly the radiator drops and the attacker is transformed into a shiny silver decorative candlestick. It is sparkly and there are dangly decorations. One of the ladies goes over to touch it. I tell her not to because it is evil which is still cooling down.

I am completely aware that I am dreaming and am somewhat surprised that I am chanting the charm of making in a dream.

I am now outside in a fenced park. I can see a large lithe man with silver grey hair and I know that the second wave of the attack is coming. He heads straight for me and we fight. Again, he is way stronger than me. I try to chant.

Anál nathrach,

orth’ bháis’s bethad,

do chél dénmha

This has little or no effect because I am nearly exhausted. I am defeated and he and his colleagues start to round everybody up. We are led off towards a small lake in which there is a pontoon. They have with them a young seer with brown curly hair who gives running commentary on the skills and origin of each of the people. Meanwhile the attacker is wiring himself up to the electricity grid. As I near the lake I start to chant again. Water is my element.

Anál nathrach,

orth’ bháis’s bethad,

do chél dénmha

A hand in the water lifts out what looks to be a paper scroll. I take it and it unfurls into a rectangular shield with a handle. I know this shield will protect me from the bolts which the attacker may send.

We find ourselves on the pontoon. He starts to transform into a boat in which to carry us off.

One of his crew shouts out that the sniper is coming.

I can see that this is true and that he is a nagal’s courier already known to me.

The scout says that they need to take the sniper seriously because he as large .6 calibre armour piercing rounds.  The main attacker regains humanoid shape.

He takes me with him in the general direction of the sniper. The sniper is loading his single shot rifle and taking pot shots. As we get very close. He goes to load the rifle and with his other hand lobs me a bullet which I catch.

Whilst the attacker is focused on the sniper. I throw the bullet like a dart at him and it embeds in his chest. There is a sort of ripple in his fabric of the world. The bullet is stuck like a dart.

I wake up and take a visit to the bathroom. It is 7:17 AM.

I try to revisit the dream.

I am back to the scene where I throw the bullet. I can see that it has penetrated a little further into the attacker.

I can now see the face of the “real” human being causing the attack. The image is very clear and I can summon that to conscience now at will. The image changes to the back of his head. Where the cervical spine meets the cranium there is a fair sized yellow “X”. I know that all I have to do it project some energy here and his head will explode in real life. I send a little energy just to establish the connection but refrain from attack-defence. I will store the information should I need it later.

The scene changes and I am in the garden by the greenhouse.  I look towards plug hole corner the Northeast and I can see a brilliant rainbow which is reflected in the waters of the pond.

I wake up and think, “bloody hell that was a whopper”.

As a protective measure I visualize a full manifestation of Vajrapani in wrathful mode and “place” copies of him at various strategic points around the garden. I also reconstruct the reflective dome of indigo-blue around the house. Any magic will be reflected back at the source amplified.

Magic Fayre Dream 8-1-23

The memory of this was prompted by one of the checkout ladies at the supermarket who has large witchy tattoos. There are quite a few women with tattoos like that around here. It makes me feel at home…

This is an extensive dreaming sequence whereby I woke up and then went back to sleep, re-entering the same dream.

I arrive at a middle size country mansion constructed in red bricks. There is a temporary car park roped of at a distance to the mansion and signage saying “Magic Fayre” pointing along the drive towards the mansion. The gardens are immaculate and it is a fine summer’s day. Many of the people are dressed for an English country garden party. I walk along to the entrance and wait in line.

When it is my turn to enter the gentleman on the door gives me a red plastic circular token with the number 16 printed upon it in raised yellow lettering. He says that I am getting a kind of VIP pass. All the other guests have pale yellow tokens with numbers starting at 200.

I go in and there are various exhibition style booths. At the first one there are two young women. Their stand is called “Modern Witchcraft”. On the stand there are examples of handicrafts and immaculate calligraphy. The two women are dressed in very smart stylish outfits without a trace of goth. They tell me that they are white witches and want to bring witchcraft into the 21st century. They are tired of the skanky image of witches and want to smarten it up. They say that the lost of art of spell calligraphy needs to be reborn and brought up to an impeccable level. I comment that I fully support what they are doing, the image needs to change. They beam with joy.

On the next stand there is a woman with long dark hair selling exotic candles of all shapes and sizes. Several of them are alight and the aroma is spiced and not unpleasant and manufactured like that of Yankee candles. It seems the woman has manged to make candles smell like exotic incense. I take the thumb and forefinger of my right hand and extinguish one candle between them. I am left with a light blue drop of oily liquid on my thumb. The drop is perfectly shaped. The woman claps her hands and says, “bravo”. She asks me to manually pleasure her which I do quietly beneath her table. She is wearing brown bikini bottoms which I push to one side.

I decide that I need to go back outside. There are a few people sat on the large stones which demarcate the drive. I find an empty one and take out an herbal marijuana joint which I spark up. A1, a man, arrives and looks surprised to see me doing this. We chat briefly. The organiser of the event wearing a trilby and a beige suit comes over. He says that smoking weed is not allowed. I apologise. He says that I owe him a “sitting” in the basement if I can hack it. I agree to try.

I go back int the building and arrive at some demonstration area. There is a large head in a glass tank. The head is very much alive and the fluid which surrounds it is pulsating. He asks me to sit down on a chair at a distance from him and we tune into each other a little. Then he sends various articles towards me using telekinesis. The idea is that I must catch the objects with my hands. I manage to catch about 80% of the things he sends at me. The ones that I drop are all made of plastic. He notes this and thinks it funny that I cannot feel the plastic, whereas glass, metal and wood are easy for me to “pick up”. He is really happy and a sparkle appears in his one eye which is facing me.

He says to me in a booming telepathic voice, “you need to work with groups.”

I move on to the stairs and down into the basement. There is a well lit library there with light wooden shelving and several librarians there. I know this library to be a library of white magic. I ask one of the librarians where to go for my “sitting”. She motions me to an armoured door in the corner of the room, in which there is a small glass window. She asks me to please close the door behind me until the “sitting” is over.

I go over to the door open it and walk through. I get my bearings and I am in a whitewashed medieval style cellar. I go back to the door close it and sit cross legged in the middle of the room. It very dark and quiet. The only light comes from the small window in the door. I start to meditate and close my eyes sinking in the darkness. Slowly a glowing rod of light appears. It is about 30cm long and less than 1cm wide. It is slowly alternating from white through pink to red and through pink back to white. I know that I cannot pick it up with my hands. So, I elevate it and bring it within my Anja centre. I absorb it and understand that I now have to radiate it out into the room. I do this for a fair time radiating a pinkish light into the otherwise dark cellar. I am aware that the librarian can see the pulsing glow. When I leave the room, the librarians are smiling I have fulfilled my task.

I come to

Next, I am outside the mansion again it is later towards the end of the afternoon. I am outside with A2 also a man.  We are standing near a rucksack on the floor. He says that he is changing his ways and is going to participate in a practise called Yeshe*-lam. I ask his if him if he knows what Yeshe means. He admits that he does not. I keep quiet. For some reason he is trying to impress me.

We go into the Magic Fayre. Several of the stands are closing up. At the back there is a table with three men in business suits going over some paperwork. I go over to ask them what they are doing. One of them says that they work for Samsung who have sponsored the event. I see that he has some accounts and joke that he should hide them from A2 who is an accountant. He plays as if to hide them. He asks me what I thought of the event. I say that it was well run, meticulously organised and very good. He comments that he is pleased that their investment has worked.

He says that he is going to work with lama Yeshe. I ask him how long he has been working with Tibetan Buddhism and the Bardo teachings. He comments intermittently. He takes one third of the year sabbatical to do this. He cannot work full on for Samsung and do Bardo at the same time, they do not mix well.

We go back outside to the ruck sack. Out of the corner of my eye I see two giant figures, one a mediaeval king {with crown} and the other some kind of knight they are over five metres tall and the same height as a big water tower. The king is fighting with the knight and is trying to kill him with a sword. They fall over knocking the tower to the ground. I motion to A2 to come with me into a stone built folly. Which he does.

Soon a number of larger figures come into the property. They start to fire arrows at us but I can deflect them with my mind.

I come to.

Next, I am outside my flat in North London. I know it is a bit of a mess. I open the door and on the floor in the corner of the room is sat an Indian “guru” in saffron robes and with long flowing grey hair. He smiles. I apologise for the mess. He says that it is of no import.

A2 turns up and says that he is hungry. I say that I have no food but that there are plenty of restaurants, nearby. I reel off the types of restaurant and we decide to go to a fish restaurant nearby. I say to the “guru” we will be back soon.

After we have eaten, I leave A2 at the restaurant and head back to the flat. When I open the door there is another “Indian” man sat on the floor meditating he is dressed in a 1950’s style suite with a black Muslim cap. He feels serene.

I come to.

I do drift back off but I can’t recall accurately what happens next.

————————

*Yeshe (Tibetan: ཡེ་ཤེས་, Wylie: ye-shes, ZYPY: Yêxê) is a Tibetan term meaning wisdom and is analogous to jnana in Sanskrit.

Explaining Kabbalah Dream 14-06-23

« La Kabbale (de l’hébreu קבלה Qabbala « réception », forme anglicisée écrite plutôt Cabbale ou Qabale en français) est une tradition ésotérique du judaïsme, traditionnellement présentée comme la « Loi orale et secrète » donnée par YHWH à Moïse sur le mont Sinaï, en même temps que la « Loi écrite et publique » (la Torah). Elle trouve sa source dans les courants mystiques du judaïsme synagogal antique. »

Here is this morning’s dream. I should preface this with the statement that I have studied kabbalah from various published texts but with a background of someone skilled in the art of molecular group theory, symmetry, an open mind, and institutional understanding. I will add a few footnotes at the end. In no way do I see this, kabbalah, as satanic, nor is it some groovy thing a pop star might get a tattoo of.

The dream starts in the Department of Chemistry of Imperial College, South Kensington. I am in the fourth floor secretarial offices with Alan B. He is as I remember him but aged slightly and he is wearing a yarmulke on his head. This is surprising to me for although I knew his background, I never saw him thus attired.

He is standing by the printer waiting for a document to arrive. I greet him and he comments that the print queue must be long. Slowly out of the printer a sheet of A3 paper comes out and on it there is a kabbalistic otz chiim or eitz chaim. I glance at it and point out the common mistake which is deliberate in much of the published “work”. He says that he did not know that I knew about kabbalah.

I say that I have looked into it a little and see it as a model for the manifestation of the universe and how an idea or thought form comes into being, from before a germ of an idea.

I draw his attention to ein, ein soph and ein soph aur and explain that this is “deity” unmanifest often call God transcendent and this is a guess for what lies beyond the veil. An attempt of the seers of old to verbalise what they could not see. I point at the top trinity above da’ath and say that this is God imminent or that first part of deity which is, present participle, manifesting, in manifestation.

I say that the veil represents that which is in the very initial act of manifesting, that which is neither unmanifest or manifest. It represents the cusp of beingness, the as yet non nascent dream of existence.

He looks taken aback and says that he thought that kabbalah was pretty much a Jewish thing. I explain that yes that is where it was first started and that it goes way back. He points to da’ath on the tree.

I explain to him that herein lies the crux, because beyond {above} this we are dealing with models of deity which must be by way of conjecture. Whilst human I believe it difficult to conceptualise such states of awareness. In many ways da’ath encapsulates the mystery of beingness in that one cannot see beyond form whilst in form. The model of a triangle is reflected here with the apex of the triangle pointing up instead of down. Da’ath is a kind of lower reflection of the veil of existence.

Alan looks a little freaked.

The dream ends….

* Whilst working in pastoral care a student who had been on holiday at a rabbinical kabbalistic kibbutz had a big discussion on kabbalah with me and saw fit to give me a book on the subject. She was astounded that I could discuss such matters with her. 

*There is a Toltec interpretation of “Jacob’s ladder” the lightning strike of manifestation too.

Relentless Assassins Dream 25-5-18

Wow! That was strange. I have just woken up after my afternoon nap. The day after Aikido I often have one because I don’t usually sleep all that well during the night. But this was two hours long and bloody strange.

In the dream I am a/the target. I am being pursued by some relentless high technology assassins. Wherever I go they are there either before me or shortly after me. They are dressed in black shiny latex jumps suits sometimes with, sometimes without motorbike helmets. I never see their faces. Always they are carrying monitoring technology and have state of the art multiple shot weaponry. These always have very large magazines yet are small in dimension.

I am at a hotel complex and I hear a motorbike with side car pull up. Instinctively I know it is black and that something is up. I run down the corridor for the fire escape. There is a hail of bullets as I head to the fire exit. I get out and hide in a Biffa style rubbish bin. I can hear them searching for me. When they have gone I go back to my room and it has been ransacked. I look at my day bag and it now has a tracking device on it. There are bugs in my room. I leave and go somewhere else.

When I arrive they are already there waiting in hiding. They have been tracking my movements, I see them just before they see me. Soon they are again chasing me. I give them the slip and hide. I can hear them saying that the target has been acquired and that they are hunting me down. They are in “radio” contact with a base. They see me, and I run, again they are shooting at me. I can hear bullets whizzing past. For some reason somebody else returns their fire. They flee. They leave behind a weapon this is small and hand held, but the transparent magazine is loaded with ~50 small round metallic bullets. There is also a hand-held tracking computer with two LED touch screens on it. In the dream I know that the tracking device is set to my channel. I know now that they are monitoring my every move.

I get to another building and hear them arrive. I have to find a hiding place. I see a mattress on a bed which is close to the floor. The clearance between the mattress and the floor is only a couple of inches. I figure that if I can get under there and heave the mattress on top of me, they won’t look there. I struggle to get under the mattress as I hear them approaching. I have with me the high technology gun they left behind. I can feel the weight of the mattress. It is heavy, and I am struggling to get under it.

I struggle to wake up. It takes quite a while to wake from the dream. I feel whacked and disoriented. I look outside the bedroom window and can see Stompie { a one legged racing pigeon who is hanging out chez nous.} under the fat balls. This dream has been unlike any I have ever had before.

Earth Dawn – Arabic – Hidden Doorway – Rasta Seer Dream 15-09-23

At 06:45 I had a bathroom break and went to bed unsure if I would get back to sleep. I thought to myself lie here and see what dreams might come.

 I drift off and from space I see a planet isolated in space. It is blue and green and white. I know that this planet is the earth. Around it I can see a bright white disc of light, a corona. This layer, atmosphere of light, gradually thickens until it is around 10% of the planetary diameter. The layer implodes and then explodes into a four pointed star of white light. The earth cannot be seen only the light. The points of the star are sharp and about five planetary diameters long at maximum length. They are at the four cardinal directions, emanating from the North and South poles with an East-West perpendicular. After reaching maximum extension they disappear leaving the planet isolated in space without its white light corona.

I know in the dream that I must meditate on this and re-run the vision of the formation of the four pointed star. The dream coincides with sunrise here in France. I have the sensation that something dramatic has happened for the planet. I consciously rebuild the image several times over.

The image fades.

The next dream starts on a large ferry boat. I am sat in the library of the boat. The boat has been purchased for educational purchases but few of the people are using it thus. They are in the bar and the games room. The captain announces that he encourages people to explore the boat and to see what other facilities there are. Some people come to sit at the same table as me. They try to take a couple of my books. I say that I have already loaned them from the librarian. I show them the front of the books where there is a slip of paper with loans on. The loan slips have my name handwritten in blue-black ink and a date stamp which is current for me. The books are texts of physics and chemistry together with ancient occult treatises. These latter manuscripts are very valuable and rare. I have been studying them a long time. The people are surprised at the contrast. I explain that it is natural to me.

The dream shifts to a country estate. We are letting a landowner onto the property. She is wearing a waxed “home counties” style shooting jacket and has a shotgun split in the crook of her left arm. She warns that they have let the dogs off the leash. There are two yappy black dogs and a border collie. I give the collie my fist and he holds it in his mouth we are playing a pulling game of sorts. The woman remarks that I now have a friend and that she, the collie, is rarely like that with any human outside their immediate family.

We carry on around the property and to the place where it adjoins the sea. The woman and the daughter say that this cove is their favourite bit. I point South. I say that I prefer the view of the massif across the strait. There above the azure blue sea I can see a fortress in the bright Mediterranean sun. We are making our way along a cliff side path. I don’t like having people behind me on the path and I come to a tricky bit on the path. I say that I am going to have to sit down because I am getting vertigo. I am stuck. I say that they can take the higher path on the cliff face and I will meet them on the other side.

I sit down. I then edge along the path and around the corner of a rock. Hewn into the cliff face is kind of terrace. On that terrace is a small single slat wooden bench. There is a wooden door painted in a dark pastel blue. I can see the grains of the wood and the rushes on the seat put there for comfort. The door is of antiquity. There is a metal ring about the size of my fist at waist height to right hand side of the door. I shout out, “look there is a hidden door!”

A voice answers in Arabic that this is the door of El Shab Abdul bin Shamir or something like that. I cannot recall the exact name but it sounds like this and ends in bin —mir. The woman and two young people, men, are coming in the opposite direction along the path. She is speaking Arabic saying that this is the place he {Abdul} came to meditate and it opens into his garden. In the dream I can understand Arabic because of my crusader-priest life.

They round the corner and sit with me on the terrace. There is a suitable rock of a metre or so on the terrace. As she sits her long hair in corn row dreadlocks falls around her shoulders and reaches to the ground. One of her companions plays with her hair and says that she is Rasta. I smile because I knew some Rastafarians. She is half caste and resembles a young Whoopi Goldberg. She has dazzling blue eyes and I know her to be a seeress of some considerable prowess.

She switches to English and we discuss that from time to time she sees the long dead owner of the garden. I say, “his spirit?” “Yes” she replies. “He is a most unusual being.” “I too come here for solace from time to time.”

Unlike for the others there is no need for she and I to open the physical door. We are suddenly on the other side in a small yet exquisite ornamental garden reminiscent of the Alhambra with water fountains and immaculate planting. We are strolling along and I have the profound sense of having met this woman before. The familiarity if strong.

The scene changes and I am outside a European castle gate. The country is verdant. We are stood by a weir which controls the flow of water through the castle and to the castle fishponds. These ponds are used to provision the castle folk. Every spring they open the sluices for a while to allow the fish from the river into the ponds and to refresh the water. It is the time of the salmon run. People are dressed mediaeval style. There is much excitement because there is plenty to eat after a harsh and boring winter menu. The keeper of the sluice ceremonially starts to open them. The flow is slow at first. Small fish are swimming up the weir. To one side I notice a large silver male salmon leaping up the weir. It has transformed into its breeding shape.  I shout. Everyone looks. There is much joy because the annual salmon run has begun.

I wake up and feel slightly overwhelmed. It is 8:15 AM. What is only a short time in earth time has seemed like an eternity in dream time.

* I have “memories” of verdant Europe, France and a more scorched Mediteranean. The sense of time is around 800 years ago, plus or minus.

Kālacakra -Black and White Umbilicus – Tantra – Dream 13-1-24

Before I begin, I swear I had no magic mushrooms or any other hallucinogen before bedtime!

Here is last night’s dreaming sequence.

I am with a woman in some kind of chamber or cave. She is heavily pregnant. I lay her down on a fourfold mandala on the floor. The design is very similar to this Kālacakra or wheel of time mandala. I know that this is of the deepest and most profound tantra. I align the woman North South on the mandala. I know that I will recognise the mandala if I ever see it again. It is imprinted in my consciousness.

A white European baby is born. It is pink-white and is surrounded by a glowing aura. There is no umbilical cord and yet it is called an umbilicus. The baby is pristine clean and radiant. It is naked and male.

Next a shiny obsidian black baby is born also with European features. It has an umbilical cord which I remove by hand. In neither birth are there any amniotic fluids or blood. The black obsidian baby is born wearing a nappy. It is also male. It is very shiny.

I know that the white baby does not need to be reborn. I know that the black umbilicus is tied to the wheel of rebirth because it has an umbilical cord.

One is good and the other is pure undistilled evil.

In the dream I know that I am a creature of the light and no longer bound to the wheel of rebirth.

I know that at first evil is always strongly attracted to good, this attraction fades. I know that good is not attracted to evil it is simply not that interested, not bothered or enticed.

The scene changes and I am walking in a park with the black and white babies in a side by side push chair. They make an odd couple. One radiant auric white and the other deepest obsidian.

I come too and then drift back off.

I see an ethereal white figure. It has a quasi-human form yet it has wing like structures. It is floating suspended in the air. On its back between the shoulder blades is a tiny insignia like this.

– 

 In the dream I know that the figure is an angel and that it is an angel of light and not of dark.

The scene changes and I am in a tropical forest underneath truly giant leaves. The sounds of rainforest are all around. There are drops of water falling from the leaf and landing on my head. I can see a tiny transparent circle appear in the leaf. There is a tiny window of transparency in the deepest green through which the droplets trickle.

I walk out from under the leaf and climb a little incline. From there I can see a most exquisite bird of paradise which had been “pissing” on me. Though the piss was spring water and not urine. The bird has exquisite orange and pink plumage on its head. The body and wing feathers are of a light emerald green and the wings are tipped with turquoise blue. The bird is pleased to see me and I it. We both stand there for a long time enjoying each other’s company and the fecund sound of the tropical rainforest.

The scene changes and I can see a man sat at a desk. On the desk is some parchment like paper, an ink well and a quill for writing. There is a small pile of books to one side. The man is clean shaven with fairly long grey hair parted in the middle.  I know that he wears this in a ponytail or bob when out socialising.  He has a kind European face and I know that his hair was once jet black. His eyes have a sparkle. He is wearing a white collarless shirt with the top button done up. The sleeves are blouson. This is informal, at home, attire. I know that the desk is mine and the man was me in my most recent life before this one. I am feeling emotional as I write this. I know his/my face now.

I wake up and think wow, I had better write that all down…     …

ॐ – Dancing With Ganesh Dream 20-9-19

Still a bit shaky. I have just woken from my afternoon nap, which usually results from my midday codeine. It is a few weeks after I broke the head of my femur and had it repaired with a Titanium nail. I am using a Zimmer frame and have a hospital bed downstairs.

Wow! That was the most intense dream I have ever had.

I arrive at the edge of a walled garden and am welcomed through a large gateway by an upright Ganesh. He has all the typical elephant features, but his gait is that of a human being. He is iridescent blue in colour and has a twinkle in his eyes. I am welcomed into his “humble abode”. He shows me around his palace gardens, gardens that are tropical and very scented. There are flowers everywhere. The garden is filled with water features. He takes me to a partially covered courtyard which has red-brown gravel. The pieces of gravel are near perfect spheres. He sits me down and we take tea together brought by his servants. I understand that this courtyard is where he practises his dancing.

A group of Indian musicians file in and seat themselves on the ground. Ganesh signals to them and they start playing. He gets up and starts to dance. His movements are exquisite, and his hands alternate between mudras beautifully and each mudra is exact and precise. He beckons me and starts to teach me some steps of his dance. {In the dream my leg functions fine.} Slowly I get the steps and we are starting to whirl and circle. It is entrancing. He stops suddenly and takes a blue-metallic AUM symbol out of his tunic. He walks over to me and presses it on my Anja centre. Slowly it penetrates and dissolves into me. I am left with a tattoo like impression on my skin. Ganesh smiles radiantly and we continue to dance.

I look at my body and notice that it has somehow taken on the same hue as Ganesh, which pleases me greatly in the dream. He laughs, at my surprise.

I awake with a start and my first instinct is look at my arms. They are not blue. They are lightly tanned and freckled with a few bruises from all the needles. It takes a while to assemble the reality of the room. I get up and go outside to smoke.