Seven Shots – Père-Lachaise – Soul Talking – Dream 29-08-2025

Here is last night’s dream.

The dream starts with a view of me in a large bathtub. The bathtub is built-in and I can see the back of my head with arms and shoulders out of the water supporting me. The lighting is partial. It is night time and reminiscent of the death scene for Jim Morrison in the Doors film. There is an eerie silence. I can hear the breathing of the person through whom I am seeing the scene. I can feel his emotions. He is excited but livid and vengeful. He is bilious and hateful and wants very badly to kill me. He is dark and imbued with darkness. I know his “vibration” and the cloying energy he emanates. He sneaks closer. Using a handgun with silencer he fires five shots into the back of my head. I hear the sounds of a gun fitted with a suppressor. The head does not explode but jolts with each shot. He moves round to the front. Where I can see my face, through his eyes. He fires two more shots directly into my Ajna centre. I hear the sounds. The gun arm now lowers in his right hand. He is partially spent.

The scene changes to Père-Lachaise cemetery and to Jim Morrison’s grave bedecked in graffiti.

The scene changes to an isolated black room in which there is a stand alone white enamel old-school bath tub. It has a weak overhead light and is alone in the vast room. There is nothing else. I am completely naked in the bath tub and it has warm clear water. From inside the tub I can hear footsteps approaching. Someone is trying and failing to be quiet. The steps echo. They approach from behind and I can now hear their breath which also smells faintly of red wine. I feel the impact in the back of the head as they shoot me five times from close range with a silenced hand gun.

The person now comes round to the front of the bath and points the handgun at my forehead. I see the muzzle discharge flash as he fires twice into my Ajna centre. He is not looking into my eyes as he does this. When he is finished. I catch his eyes and hold them in my gaze. I stare deep into the recesses of his Soul. He is transfixed by my gaze. Slowly I get out of the water standing up stark naked and dripping wet. I hold his gaze and he cannot break it. I go over to a newly appeared towel rack and select a large white towel which I wrap around my waist. I leave the room. The assassin is left standing rooted to the spot looking dumbfounded at an empty bath.

The scene changes and I am in a busy university like environment with lots of young people going about their business. I am on a raised level with cafeterias and function rooms. In one there is an exhibition of art and performance art. I have put up a poster display about dreams and dreaming. A young gay Japanese man comes to my poster and we get chatting. He is a well-known avantgarde artist and is a part of the organising / judging committee for the event. He offers me a coffee and we go to get one. He is fascinated about dreams and would like to tell me his. We go back.

A woman with entourage is doing the rounds. She is leading the judging. She says that my effort is not flamboyant enough. I explain  to her that flamboyance is often an indicator of triviality and superficiality a mark of showing off from a personality level. There is glamour and show. I say that in dreaming for certain individuals the Soul speaks directly and can only he heard by the ready. I say that the whisper of the Soul in not for the crass. She seems offended yet partially drawn in, bewitched even. She wants to hear her own Soul it would be good for her art. She asks me to tell her more.

We leave the building which is now the V&A museum out onto Exhibition Road. I explain  to her as we walk  that there is a subset of dreams called Soul dreams which are dramatizations of the Soul directly. These dreams are our Soular essence our true core of being. It is wise to accept and embrace such dreams.

The dream ends and I go for a loo break it is 6AM…

Best Ever Dream – Dancing With Ganesh Dream 20-9-19

Still a bit shaky. I have just woken from my afternoon nap, which usually results from my midday codeine. It is a few weeks after I broke the head of my femur and had it repaired with a Titanium nail. I was taken to A&E in an ambulance. I am using a Zimmer frame and have a hospital bed downstairs.

Wow! That was the most intense dream I have ever had.

—————————-

I arrive at the edge of a walled garden and am welcomed through a large gateway by an upright Ganesh. He has all the typical elephant features, but his gait is that of a human being. He is iridescent blue in colour and has a twinkle in his eyes. I am welcomed into his “humble abode”. He shows me around his palace gardens, gardens that are tropical and scented. There are flowers everywhere. The garden is filled with water features. He takes me to a partially covered courtyard which has red-brown gravel. The pieces of gravel are near perfect spheres. He sits me down and we take tea together brought by his servants. I understand that this courtyard is where he practises his dancing.

A group of Indian musicians file in and seat themselves on the ground. Ganesh signals to them and they start playing. He gets up and starts to dance. His movements are exquisite, and his hands alternate between mudras beautifully and each mudra is exact and precise. He beckons me and starts to teach me some steps of his dance. {In the dream my leg functions fine.} Slowly I get the steps and we are starting to whirl and circle. It is entrancing. He stops suddenly and takes a blue-metallic AUM symbol out of his tunic. He walks over to me and presses it on my Anja centre. Slowly it penetrates and dissolves into me. I am left with a tattoo like impression on my skin. Ganesh smiles radiantly and we continue to dance.

I look at my body and notice that it has somehow taken on the same hue as Ganesh, which pleases me greatly in the dream. He laughs, at my surprise.

—————————

I awake with a start and my first instinct is look at my arms. They are not blue. They are lightly tanned and freckled with a few bruises from all the needles. It takes a while to assemble the reality of the room. I get up and go outside to smoke.

Magic Fayre Dream 8-1-23

The memory of this was prompted by one of the checkout ladies at the supermarket who has large witchy tattoos. There are quite a few women with tattoos like that around here. It makes me feel at home…

This is an extensive dreaming sequence whereby I woke up and then went back to sleep, re-entering the same dream.

I arrive at a middle size country mansion constructed in red bricks. There is a temporary car park roped of at a distance to the mansion and signage saying “Magic Fayre” pointing along the drive towards the mansion. The gardens are immaculate and it is a fine summer’s day. Many of the people are dressed for an English country garden party. I walk along to the entrance and wait in line.

When it is my turn to enter the gentleman on the door gives me a red plastic circular token with the number 16 printed upon it in raised yellow lettering. He says that I am getting a kind of VIP pass. All the other guests have pale yellow tokens with numbers starting at 200.

I go in and there are various exhibition style booths. At the first one there are two young women. Their stand is called “Modern Witchcraft”. On the stand there are examples of handicrafts and immaculate calligraphy. The two women are dressed in very smart stylish outfits without a trace of goth. They tell me that they are white witches and want to bring witchcraft into the 21st century. They are tired of the skanky image of witches and want to smarten it up. They say that the lost of art of spell calligraphy needs to be reborn and brought up to an impeccable level. I comment that I fully support what they are doing, the image needs to change. They beam with joy.

On the next stand there is a woman with long dark hair selling exotic candles of all shapes and sizes. Several of them are alight and the aroma is spiced and not unpleasant and manufactured like that of Yankee candles. It seems the woman has manged to make candles smell like exotic incense. I take the thumb and forefinger of my right hand and extinguish one candle between them. I am left with a light blue drop of oily liquid on my thumb. The drop is perfectly shaped. The woman claps her hands and says, “bravo”. She asks me to manually pleasure her which I do quietly beneath her table. She is wearing brown bikini bottoms which I push to one side.

I decide that I need to go back outside. There are a few people sat on the large stones which demarcate the drive. I find an empty one and take out an herbal marijuana joint which I spark up. A1, a man, arrives and looks surprised to see me doing this. We chat briefly. The organiser of the event wearing a trilby and a beige suit comes over. He says that smoking weed is not allowed. I apologise. He says that I owe him a “sitting” in the basement if I can hack it. I agree to try.

I go back int the building and arrive at some demonstration area. There is a large head in a glass tank. The head is very much alive and the fluid which surrounds it is pulsating. He asks me to sit down on a chair at a distance from him and we tune into each other a little. Then he sends various articles towards me using telekinesis. The idea is that I must catch the objects with my hands. I manage to catch about 80% of the things he sends at me. The ones that I drop are all made of plastic. He notes this and thinks it funny that I cannot feel the plastic, whereas glass, metal and wood are easy for me to “pick up”. He is really happy and a sparkle appears in his one eye which is facing me.

He says to me in a booming telepathic voice, “you need to work with groups.”

I move on to the stairs and down into the basement. There is a well lit library there with light wooden shelving and several librarians there. I know this library to be a library of white magic. I ask one of the librarians where to go for my “sitting”. She motions me to an armoured door in the corner of the room, in which there is a small glass window. She asks me to please close the door behind me until the “sitting” is over.

I go over to the door open it and walk through. I get my bearings and I am in a whitewashed medieval style cellar. I go back to the door close it and sit cross legged in the middle of the room. It very dark and quiet. The only light comes from the small window in the door. I start to meditate and close my eyes sinking in the darkness. Slowly a glowing rod of light appears. It is about 30cm long and less than 1cm wide. It is slowly alternating from white through pink to red and through pink back to white. I know that I cannot pick it up with my hands. So, I elevate it and bring it within my Anja centre. I absorb it and understand that I now have to radiate it out into the room. I do this for a fair time radiating a pinkish light into the otherwise dark cellar. I am aware that the librarian can see the pulsing glow. When I leave the room, the librarians are smiling I have fulfilled my task.

I come to

Next, I am outside the mansion again it is later towards the end of the afternoon. I am outside with A2 also a man.  We are standing near a rucksack on the floor. He says that he is changing his ways and is going to participate in a practise called Yeshe*-lam. I ask his if him if he knows what Yeshe means. He admits that he does not. I keep quiet. For some reason he is trying to impress me.

We go into the Magic Fayre. Several of the stands are closing up. At the back there is a table with three men in business suits going over some paperwork. I go over to ask them what they are doing. One of them says that they work for Samsung who have sponsored the event. I see that he has some accounts and joke that he should hide them from A2 who is an accountant. He plays as if to hide them. He asks me what I thought of the event. I say that it was well run, meticulously organised and very good. He comments that he is pleased that their investment has worked.

He says that he is going to work with lama Yeshe. I ask him how long he has been working with Tibetan Buddhism and the Bardo teachings. He comments intermittently. He takes one third of the year sabbatical to do this. He cannot work full on for Samsung and do Bardo at the same time, they do not mix well.

We go back outside to the ruck sack. Out of the corner of my eye I see two giant figures, one a mediaeval king {with crown} and the other some kind of knight they are over five metres tall and the same height as a big water tower. The king is fighting with the knight and is trying to kill him with a sword. They fall over knocking the tower to the ground. I motion to A2 to come with me into a stone built folly. Which he does.

Soon a number of larger figures come into the property. They start to fire arrows at us but I can deflect them with my mind.

I come to.

Next, I am outside my flat in North London. I know it is a bit of a mess. I open the door and on the floor in the corner of the room is sat an Indian “guru” in saffron robes and with long flowing grey hair. He smiles. I apologise for the mess. He says that it is of no import.

A2 turns up and says that he is hungry. I say that I have no food but that there are plenty of restaurants, nearby. I reel off the types of restaurant and we decide to go to a fish restaurant nearby. I say to the “guru” we will be back soon.

After we have eaten, I leave A2 at the restaurant and head back to the flat. When I open the door there is another “Indian” man sat on the floor meditating he is dressed in a 1950’s style suite with a black Muslim cap. He feels serene.

I come to.

I do drift back off but I can’t recall accurately what happens next.

————————

*Yeshe (Tibetan: ཡེ་ཤེས་, Wylie: ye-shes, ZYPY: Yêxê) is a Tibetan term meaning wisdom and is analogous to jnana in Sanskrit.

ॐ – Dancing With Ganesh Dream 20-9-19

Still a bit shaky. I have just woken from my afternoon nap, which usually results from my midday codeine. It is a few weeks after I broke the head of my femur and had it repaired with a Titanium nail. I am using a Zimmer frame and have a hospital bed downstairs.

Wow! That was the most intense dream I have ever had.

I arrive at the edge of a walled garden and am welcomed through a large gateway by an upright Ganesh. He has all the typical elephant features, but his gait is that of a human being. He is iridescent blue in colour and has a twinkle in his eyes. I am welcomed into his “humble abode”. He shows me around his palace gardens, gardens that are tropical and very scented. There are flowers everywhere. The garden is filled with water features. He takes me to a partially covered courtyard which has red-brown gravel. The pieces of gravel are near perfect spheres. He sits me down and we take tea together brought by his servants. I understand that this courtyard is where he practises his dancing.

A group of Indian musicians file in and seat themselves on the ground. Ganesh signals to them and they start playing. He gets up and starts to dance. His movements are exquisite, and his hands alternate between mudras beautifully and each mudra is exact and precise. He beckons me and starts to teach me some steps of his dance. {In the dream my leg functions fine.} Slowly I get the steps and we are starting to whirl and circle. It is entrancing. He stops suddenly and takes a blue-metallic AUM symbol out of his tunic. He walks over to me and presses it on my Anja centre. Slowly it penetrates and dissolves into me. I am left with a tattoo like impression on my skin. Ganesh smiles radiantly and we continue to dance.

I look at my body and notice that it has somehow taken on the same hue as Ganesh, which pleases me greatly in the dream. He laughs, at my surprise.

I awake with a start and my first instinct is look at my arms. They are not blue. They are lightly tanned and freckled with a few bruises from all the needles. It takes a while to assemble the reality of the room. I get up and go outside to smoke.