Inspecting Budda Relics Dream – 22-01-2026

Here is last night’s dream which finished around 3 AM but which was subsequently revisited on going back to sleep.

The dream starts in a brightly lit room. There is a sense of subterranean of basement and of vault. The overhead light is bright like a fluorescent light but there is no hum. I am sat at a very large  lab-bench like table but which is large boardroom size. I am on the only chair in the room. The table is a work table for inspection of artefacts. It feels forensic and museum like. The air is treated for humidity and is slightly warm but dry.

The door opens and in walks a man and woman. They are younger than me and wearing a dark olive green curators uniform with trousers and short sleeve shirts. The uniforms have been immaculately pressed. They are both wearing white jeweller’s gloves. The woman has curly blonde hair held back in a clip and the man is dark haired. The man places an object in front of me. I know this to be a reliquary containing pieces of Buddha’s body or so the narrative goes. The box is the size of a tissue box. It is on four curved ornate legs which have an animal {query lion} foot finish. The whole thing is made out of an exquisite light yellow gold carved in a motif of India query Sri Lanka. The pattern is exquisite, fine. The box is surprisingly light. I know that it has a mechanism whereby the lid can be rotated to reveal two compartments. One of these is smaller than the other. Without opening the box I know that the compartments have a red “felt” lining. I inspect the box from the outside. The workmanship is impressive. The woman looks at me for permission and then picks the box up and together they leave the room.

They return. This time the woman is carrying a small cloth bundle. It is square shaped with a depth of a couple of inches. The cloth is folded over and over to make a parcel. She handles it with reverence. The cloths are heavy and exquisitely woven with a fine shiny silken thread running through it. There are layers of a purple-ish base fabric cloth and a rich red-magenta cloth. The cloth is luxury.  She places the bundle in font of me on the table. I know that it is Tibetan-Himalayan in origin and that it too contains a relic of the Buddha. I pick the bundle up and inspect it from all sides, paying particular attention to the bottom. I am holding it in both hands just above my head inspecting.

{This relic is “privately” owned and on loan.}

As I do this I see a “wall” to a room or cave. The wall is made of a grey sandy granular sedimentary rock. In my mind’s eye I touch the rock and it starts to crumble and flow away leaving a couple of small pillars about 20 cm tall. There is an opening in the wall about 40 cm wide and 20 cm tall with pillars of a few centimetres thickness and a void or opening behind. There is a sense of a store or a cache behind the wall. In the dream I know that in this space are other relics pertaining to Buddha and his corporeal. I can see that the cache extends to both the left and the right of the opening in the wall.

I return from the vision and place the unwrapped bundle back on the table. The man signals to me and I nod. He picks the bundle up and they leave the room.

They return and this time the man is carrying a clear plastic sample storage drawer. It is around 10 by 10 cm on the front face and has a depth of about 30 cm. There is a catalogue card with number and content written in German. There is an acquisition date and I understand it to be a museum piece kept under preserving conditions and attributed as a Buddha relic considered by some a part of Buddha. They place it on the table in front of me and nestled on a bed of tissue paper and with a moisture absorbing paper silica sack is a small bundle of jet black felt cloth held together with a thin golden drawstring. It is a small bundle.  

The man and the woman, the curators, stand back behind me one on either side of me and against the wall.

The dream ends.

Zambia – Father – Royal Family – Golden Orb – Dreams – Dream 05-02-2025

This dream came as a series of sleep-wake cycles.

The dream opens in Kabwe Zambia. I have come to reclaim the body of my father who is lying in the “mines” medical facility. He is on a morgue trolley under a blanket. I have to sign a chit for his release so that he can be repatriated. Once I have done this, I can take him away in a wheelchair. I do this and wheel him around town for a last look, during this he appears to be conscious and interacting with the environment. Kabwe is much more metropolitan and modern than I remember. I take him back to the facility so that he can be shipped.

I have a sudden realization that I must get to Lusaka, so I go to the now modern train station. The train leaves at 40 minutes past the hour. I have just missed one. I go into a coffee shop / bar to try to arrange a hotel for when I arrive in Lusaka. Unusually for me I get out a smartphone and look for hotels. I find one. I ask the owner of the bar if she has heard of it. She a white woman with a slight Afrikaans, Cape Town, accent says yes. It is her sister who runs “Tuskers” an elephant themed hotel / restaurant near the train station in Lusaka. It is a sister hotel. I say that I like elephants.  She arranges a booking and offers me curry from the buffet in her bar.

I awake.

A Google search reveals that there is a Tuskers Hotel at Butungwa Street PO Box 80942, Kabwe 60100 Zambia. It is near the Big Tree Monument, and I have been in that hotel as a child when it had another name.

I drift off.

I catch the train to Lusaka. It is modern and there are loads of young people on their devices. I arrive at my hotel and get installed. Prince William the Prince of Wales is there, and he wants me to accompany him on his tour of schools in the area and then to go with him to the Okavango Delta. He has very fond memories of his time in Africa before he had too much responsibility and it all got so complex. William is hyper enthusiastic and gets a great reception at the schools. He asks my opinion on each establishment after we have visited. He brings excitement into their lives. It is uplifting.

I wake up

I drift back off.

I am now in the UK if feels west country maybe Gloucestershire. We are walking along a private path / road on an estate. It is tree lined, and autumnal. William is introducing me to Catherine and George. George is a little intense and kicking leaves. I say that I used to have the nickname George when I was a teenager. He then relaxes slightly. William explains that George has many questions which he would like to ask me. I say that I am happy to try to answer. Back in a drawing room of sorts George goes off and comes back with something in his hands.

He shows me an aspherical golden orb. It is about the size of a large potato and it is like an elongated, squashed sphere. There is an inlay in a darker coloured gold wrapping it in a cross bottom and top and all around the long “circumference”. It is clearly hollow and there is something inside. He asks me to take a look at it and hands it to me to inspect. I know that there are other artefacts in the series and that he is not telling me any background information.

I say that we need to think carefully about how we approach this. He nods.

I awake

I drift off

William, Catherine and I are now once again outside on the path. William tells me that Catherine is still fragile after her ordeal and that her mood fluctuates.  He says that she would like to talk with me about her dreams which have been plentiful. They are linked to George, and she senses they are of the same puzzle. I say to them that I would be very happy to talk about dreaming and dreams, subjects close to my heart. Catherine smiles and sighs in relief. William says that he is very happy for me to do this, in private, but I must undertake to keep him updated on a regular and thorough basis. This is because there are many things pertaining to royalty about which I am unaware. He is more concerned about Catherine than George, because of the blood, implied royal in George.

The dream ends and I think WTF.