Four Dragons – Wheel of Fortune – Dream 30-08-2016

Here is this morning’s dream, a birth-day dream…

I am looking at an antique wooden wheel of fortune against a background wall. The wheel has stopped and it has a pointer facing East. At the four cardinal directions are arranged four dragons. They are small and intricate and somehow alive. Their nature is consistent with their name. The pointer faces the Fire dragon. In the dream I know that the dragons going N,E,S,W should be Earth, Wood, Water, Fire. Yet somehow the wheel has stopped with the Fire dragon in the East. I reach out and pluck the Fire dragon off the wall / wheel.. I put the dragon in my pocket.

“You may use the Fire dragon now. Although you were born a Wood dragon and your predilection is for the Water dragon, you may use the Fire dragon now. You own all the dragons…and can use them at will.”

Implicit is that the Blue Dragon, the Red Dragon and the Golden Dragon are also “mine” and available to me.

Dream ends.

Subsequently the image of Tarot 10, impeccability, La Roue de Fortune, springs to mind.

Selected Dragon Content in the Blue Books Opus

All of these, unless otherwise stated, are from a Treatise on Cosmic Fire by Djwhal Kuhl and Alice Bailey

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In the fifth round, at its middle point, certain things will eventuate.

The fifth Hierarchy will rise to its full power. This will precede the Judgment Day, and will mark a point of tremendous struggle, for the manasic vehicle “manas” (which they embody) will rebel against the translation of the life within (the buddhi). There will, therefore, be seen on a racial scale and involving millions simultaneously, a repetition of the selfsame struggle which embroils the man who seeks to transcend mind and to live the life of Spirit. This will be the final Armageddon, the planetary kurukshetra, and will be succeeded by the Judgment Day when the Sons of Manas will be cast out and the Dragons of Wisdom rule. This only means that those in whom the manasic principle is over-potent or underdeveloped will be considered as failures and will have to wait for a more suitable period for development, while those who are living the buddhic life, and in whom it is waxing stronger – spiritual men, aspirants, disciples of various degrees, initiates and adepts – will be left to pursue the natural course of evolution on this scheme.

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Second. The goal set before humanity is that of becoming Masters of the Wisdom, or conscious units in the Body of the Dragon of Wisdom or of Love. This a man achieves when he can function consciously in the buddhic vehicle, or when the astral permanent atom is superseded by the buddhic permanent atom.

Third. The next reason is that the second aspect of the Logos (that of love or the manifestation of the love nature of the Logos through the medium of the Son) is the one demonstrated in this system. This system is:

  1. A Son of Necessity, or of desire.
  2. Vibrant to the key of the cosmic Ray of Love.
  3. The form through which this ray of cosmic Love (shown in the interrelation between the Self and the Not-Self, or through duality) is expressing itself.
  4. Governed by the cosmic Law of Attraction. The monads of love are the dominating quality. (I choose this word ‘quality’ specifically.)

Fourth. The center in the cosmic body of the ONE ABOUT WHOM NOUGHT MAY BE SAID of which our solar Logos is the embodied force is the heart center. Here we have one of the clues to the mystery of electricity. The sacred planets, with certain allied etheric spheres within the ring-pass-not, are parts of that heart center, and are ‘petals in the Lotus,’ or in the heart center of that great unknown Existence Who stands to the solar Logos as He in His turn stands to the Heavenly Men Who are His centers, and specially as He stands to the particular Heavenly Man Who is the embodied force of the logoic Heart center. Therefore, it will be apparent to the careful student that the entire force and energy of the system and its life quality will be that which we call (having perforce to use handicapping, misleading words) LOVE. This will account for the fact that the force that plays through that cosmic heart center will be the paramount force found in the manifestation of a solar Logos, and of a Heavenly Man; it will likewise produce its microcosmic analogy, and reflective reactions; hence the relative importance of the astral permanent atom within the causal periphery. It is in the direct line of active force emanating from the cosmic existence, and passing to it in ever lessening degree, via the solar Logos in His system of love, and the planetary Logos within a scheme, the Dragon of Wisdom-Love.

This force when rightly directed and properly controlled is the great transmuting agency, which eventually will make of the human unit a Master of the Wisdom, a Lord of Love, a Dragon of Wisdom in lesser degree.

Finally: this solar system, the objective physical manifestation of the Logos, is interpenetrated by His astral body, as is the case with the human manifestation. As the Logos is polarized in His cosmic astral sheath and has not yet attained cosmic mental polarization His force or desire nature is the main incentive for the subjective Life and Eves that underlie the form.

If the student will ponder with care these five facts, he will get a clue to the problems of existence as realized around us, to the causes of the heat of the solar system, to the method of the cosmic Law of Attraction and Repulsion, which governs all atomic forms, and to the question of SEX which is apparent in every kingdom of nature. They give the clue also to the constitution of the Divine Hermaphrodite.

Therefore, it is necessary to bear in mind the relative importance of the permanent atom of the second aspect of the personality within the causal periphery, and to remember that the force which flows through that atom and which is the animating force of the astral body is following the lines of least resistance and really might be considered as bearing upon his physical manifestation in a manner twice as strong as that reaching him through the other two. The Logos expresses Himself now through the Divine Ray, His second aspect, and this Ray is the sumtotal of the radiation of the Lords of Wisdom, the Heavenly Men, the Dragons Who are Unity and Who are Love. Through Them this force flows, and They in turn clothe Themselves with form, or as H. P. B. expresses it ‘The primordial Ray becomes the Vahan for the Divine Ray. Their life animates every atom of substance when built into form, and Their life is the sumtotal of Logoic magnetism, or the great desire nature of the Logos going out after the Not-Self, producing the cosmic Marriage; it is the logoic demonstration of the sex appeal, His search for His polar opposite, and their mystic union.

This process is repeated by the microcosm following the line of his being, and this brings him likewise into incarnation, or into mystic union with form.

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Initiation VI – Decision – Ray III

We have concluded our study of the rays and the five initiations, and there is little more that I can tell you about the remaining four initiations, except one or two points anent the sixth Initiation of Decision; this initiation is governed by the third Ray of Active Intelligence.

The only reason that I am making a few comments upon the sixth initiation is that at this time a number of the Masters are taking this great step, and it has a most peculiar application to the time of the reappearance of the Christ.

At this Initiation of Decision, the Master concerned decides usually which of the seven Paths He intends to tread; some Masters decide to remain until the close of our planetary Life, at which time the “last weary Pilgrim will have found his way home”; the Earth can then be prepared for a new Humanity. When this happens, our planet will no longer be known as the planet of sorrow and of pain, but will be distinguished by a quality of tranquillity and by an aura of calm potency wherein the will of God (to be demonstrated in the next solar system) will be focused; this – in some mysterious way – will enable the solar Logos (not the planetary Logos) to bring the first great divine aspect, that of Will or Power, into expression throughout the solar system. Instead, therefore, of the statement which explains our present solar system, “God is Love,” we shall have a dynamic expression of the will-to-good – an energy which will have been generated to some extent upon our Earth. This is the reward which the present Earth humanity will reap, and this is the consummation of the preordained task of our planetary Logos. He undertook, when He came into incarnation (through the medium of our little planet), to aid the work of the Solar Logos in expressing the will aspect of divinity.

Excerpted from “The Rays and the Initiations” by Djwhal Kuhl and Alice Bailey

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{This below concerns one of the available paths of higher evolution open to the fifth degree initiate or master. My comment.}

Path I. The Path of Earth Service

The nature of the spiritual force which animates the group of our peculiar planetary initiates will become apparent perhaps if the methods and purposes of their work are studied from the standpoint of subjective energy, and not so specifically of the material form. This point of view can be gleaned most easily from a consideration of the animating impulse lying behind all world groups which are particularly consecrated to the uplift of the race. This will necessarily include all political, religious, scientific and metaphysical organizations. It will be found that each and all are definitely related and have a point of at-one-ment with certain of the numerous occult bodies which are (usually unknown to the affiliated group) responsible for the vitalization of the principal units in any of these organizations doing this pioneer work.

This first path is the one that keeps a man linked to the Hierarchy which is pledged to the service of our planetary scheme. It comprises those who work under the Lord of the World in the seven groups into which our Masters of the Wisdom are divided. Not so many Masters follow this Path as some of the others, and only enough are permitted to do so to carry on planetary evolution satisfactorily. More is known about this Path than about any of the others, and more will continuously be found out as members of our humanity fit themselves to contact the Brothers of the Hierarchy. Their field of employ, Their methods of work will eventually become exoteric, and as the seven groups are recognized and known, schools of development for the filling of posts in these groups will be the logical sequence.

The adepts who stay upon this Path are distinguished by a dual attribute, which is their guarantee of attainment along this line of spiritual endeavor. They are animated by wise-compassion. These words should be carefully studied for they hold the clue to the nature of this first Path. The adepts who choose this Path are called esoterically the “beneficent dragons,” and the energy with which they work and the stream of living force upon which they are found emanates from the constellation of the Dragon, working through the zodiacal sign Libra. This special spiritual energy produces in all those groups which come under its direct influence a profound faculty for identification. This identification does not concern the form nor the soul but only the spiritual point of positive life which in the human unit we call the “Jewel in the Lotus.” It should be remembered in this connection that there is a jewel at the heart of every atom. Every jewel has seven facets which are the seven doorways to the seven Paths.

The “beneficent dragons” are distinguished by their “luminosity,” and it is this basic quality which lies behind the injunction given by all spiritual teachers to their pupils in the words “let your light shine forth.”

When the adept enters through the “luminous door” he has before him four very peculiar and esoteric IDENTIFICATIONS. This entrance takes place after he has passed the fifth Initiation and has demonstrated his fitness so to do through a long period of service in connection with our planetary evolution. These identifications eventually bring about within the jewel, which is essentially the true spiritual unit, a momentous happening, and are undergone within the monadic consciousness after the transcendence of the atmic sheath. These four identifications are connected with the fourfold lotus of the solar Logos, or with His twelve-petalled heart center. This lotus is sometimes called the “heart of the Sun,” and concerns the subjective sun. It is not, however, possible to say more along this line.

These four Identifications are only undergone upon this particular Path and are each preceded by three lesser identifications which make a totality of twelve Identifications, corresponding to the twelve-petalled lotus. It will be noted by the accurate student that we are now discontinuing the use of the word “initiation” which has to do specifically with consciousness and therefore with duality and are utilizing a word which connotes synthesis, though very inadequately.

The energy which is manipulated in the process of these identifications is largely that pouring through the sixth Hierarchy, which has an esoteric relation to the sixth Path on to which the initiates of Path I have eventually to fight their way. The form through which the adept must work in order to demonstrate his control of the energy concerned may not here be given. It may only be stated that luminosity is gained upon the battle ground through a fight with a dragon. The following summation may be found suggestive:

PATH I. EARTH SERVICE

  • Attributes – Wise-compassion.
  • Source – Constellation of the Dragon, via Libra.
  • Method – Twelve cosmic Identifications.
  • Hierarchy – The sixth.
  • Symbol – A green dragon issuing from the center of a blazing sun. Behind the sun and over-topping it can be seen two pillars on either side of a closed door.
  • Quality gained – Luminosity.

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SECTION THREE – DIVISION C – SEVEN ESOTERIC STANZAS

STANZA I

(From Archaic Formulas. No. 49)

PATH 1. The Path of Earth Service.

The Dragon who hideth within the lowest of the Sacred Three ariseth in His might. In His mouth He holdeth the balances, and in the balances He weigheth the sons of men who – upon the field of battle – are impaled upon His spear.

In the great balance upon which His eyes are fixed, one scale is veiled in fire of vivid green; the other hides itself behind a screen of red.

Those sons of men whose note responds not to the note of red enter the scale upon the right hand side. From thence they pass upon a path which dimly can be seen behind the dragon’s form.

This path is entered by a fourfold door. The sacred phrases of the Sons of Light define it thus: “The portal of the luminous light, which leadeth from the green into the heart of indigo, by that rare fire and richly colored blaze for which no name on earth hath yet been found.” Its tone is hidden.

The sons of men (and few their number is) enter that door of luminous fire when they surmount the crest of gold which riseth on the dragon’s head above the point where gleams “the eye of fire.”

This eye of fire transmits a strong vibration from the triple Lhas unto a center in the Adept’s head. This, when aroused, reveals the Life that is, the form that shall be, and the work united of the two and four.

These two are drawn together. Their essence blends. The man who seeks this path is then impaled upon the spear and thrust within the fiery light which veils the balance. The mystic process then proceeds and… Thus is the work of SATURN seen, and thus the consummation is effected.

Through SATURN’S fateful force the victor then is swiftly projected to the summit of the crest, and thence to that vibrating disk which guards the fourfold door of luminosity.

Three Words are then committed to the Liberated One. He stands triumphant on the speeding disk and when their utterance has… the door is seen ajar, and from its other side a voice is heard to say: “Son of Compassion, Master of Love and Life, the wheel turns all the time for those who battle on the fiery ground beneath the dragon’s feet.”

The first Word having entered on its mission, the victor lifts His head and seeks to utter forth the second Word. But, as He sounds it forth, He arrests its wide vibration, drawing again its power within His heart.

The motion of the disk slows down. The portal of the fiery light opens more widely yet. A form is seen. Unto the Master of the Fiery Heart, this form presents three precious jewels. Their names are hidden from those sons of men who have not yet attained the dragon’s crest.

These jewels three give to the Master of the Fiery Heart a portion of the triple force which circulates within the planet’s sphere.

With eye intent and heart alive with burning love the Master utters not the final Word. He steps from off the disk and turns His Lotus Feet back to that Path He earlier left behind, and from the other side remounts the Dragon’s crest. Himself a dragon, He now identifies Himself with those who seek the beast. And thus He serves, turning His back upon the door of light. He is the offspring of the dragon and serves His time…

Unknown and unseen by Him, a greater disk becomes apparent, turning unceasingly. He seeth not its movement for His eyes are on the world He has returned to serve. The disk revolves and brings around – before His yet unseeing eye – a greater wider Door… His eye of vision opens… He treads the first great path, yet knows it not.

The note that sounds forth from that first great WAY is yet unheard by Him. Its sound is lost in the uprising cry of the children of the lesser dragon.


NOTE: These seven stanzas form only one true stanza out of the oldest book in the world, and one which the eye of the average man has never contacted. Only the sense is here given and not a literal translation, and certain phrases are eliminated in all of them for one or other of the three following reasons: Either the manuscript from which these extracts are taken lacks certain of the words or symbols which are missing on account of the extreme age of the material upon which the text is indited, or their insertion would convey too much knowledge to the man whose perception is sufficiently awakened. Thirdly, the insertion of the omitted words would only serve to awaken confusion and even ridicule on account of the impossibility of translating them correctly; they concern realizations far in advance of the comprehension of man at this time.

Y Ddraig Aur – Golden Dragon Dreams

Dream 1-3-12 Japan Theme (Golden Dragon)

The dream is set initially in Tokyo. I have arrived at Narita and have been met by Mieko (an Ainu ex-business partner). We are in a district that I do not know. It is a shopping district. There are a couple of people with me and her. We are on a bus and it is swerving sharply around corners. We walk through the busy shopping mall and to a coffee bar.

Mieko orders coffees for us and we stand up at the bar. There is a lot of movement. I ask her if it is OK to smoke. No not anymore, the rules in Japan have changed.

At one table there is a group of westerner’s who are media types. They are all expensively dressed. One of them is making a rather overblown pitch to the others about an idea for a film. His language and gestures for the pitch are rather extravagant.  Noticing that there are cigarette butts on the floor, I light one up. I catch the eye of a female gaijin sat close to the bar. She has a pack of gold Benson and Hedges and a lighter on the table in front of her. We raise our eyebrows exchanging a knowing look of “Bull….” , at the pitch we are eavesdropping on. I have no idea why Mieko has brought me to Japan.

We then move off through the crowded streets and malls. Mieko moves ahead of us and we lose sight of her. I have no idea where we are. I assume that she has made provision for where we are to stay that night. I do not have any written contact details for her.

The friend who is with me suggests that I look on my mobile ‘phone. I see that I have one call listed. I press dial. It connects with a man called Richard Brooks. I ask him who he is, “Richard Brooks the publisher, don’t you know me? “

I tell him that I have just landed in Tokyo and have jet lag, I cannot recall having met him, probably the jet lag.  He is pretty sure that we have met. We are due to have a meeting in respect of publishing in the next day or so at the Hampton Estate Complex.  He is looking forward to it.

I look again at my ‘phone and find Mieko’s number. I call her and she says that she has no interest in being a negotiating pawn on my chess board and is upset with me. I have absolutely no idea what she is talking about. Apparently, she has set me up to meet with two publishers in a few days time. I explain that I did not know about this nor why she is upset. We arrange to meet up.

She then takes us to an avant garde club in a very posh district of Tokyo. It is an “installation” club where people try to be living works of art. It is pretentious. Today’s theme is “being alone”. All around the club people are busy striking poses. It is a bit “Gothic”. There is one woman lying still with her head wrapped up in spider’s webs, dressed in black. There are others doing joint poses, sat back to back, heads turned from each other, “ignoring” each other. There is a swimming pool there and people are in it. There is a tiny naked thin Japanese woman sat on a stool in the middle of the pool. There are others at each corner of the pool. I note some Yakuza with sunglasses stood at the bar. I get into the pool and swim around looking at the various people in “installations”. I am fully clothed. When I leave the water, I am dry. I make my way to the bar.

Then the conversation turns to Ju-Jitsu. I comment that I have some training. The guys there try to test me out with some locks. I let them win. I know that their style is all form based and not all that fluid. They egg me on. To the side of the bar there are some white paper screens with an ornate Golden Dragon on them. They lead into a dojo. I strip off to my waist and go through into the dojo. They all think it is funny that a “fat” middle aged white guy is going to fight in the dojo. They also strip to the waist; they are young and rippling with muscles. I am confident though that I have their measure. We spar for a while and my confidence has been entirely justified. I manage to throw several of them to the floor.

Back in the bar now I notice that it is serving drinks. I ask the Japanese barman for a white beer in English pointing to a bottle.  I assume that the drink is free. Strangely he converses with me in German, Hoch Deutsch. He says that the beer is nine yen. I give him a 10 yen note.

The gaijin woman from the coffee shop is also now there. She orders a beer similarly. She looks into her purse amidst all the coins which are there and finds two 4.5 yen coins. She pays the barman with these. It all seems very normal.

Next there are several of us at the bottom of a trail leading up the mountain to a ski resort. There are a series of snow covered steps. We start to climb these steps. It is a little slippery. I tell the people in front of me, mostly young Japanese to take it one step at a time and to make use of the hand rail. We laugh and joke as we make our way up the hill.

We arrive at reception of a very posh and swanky hotel. They have been waiting for us, for my meeting with the publishers tomorrow. We have been assigned a suite with a large living area with bedrooms off of this. The Maitre d’ shows us to our suite and all our luggage has been carried there. He leaves us to settle in, gives us a room service menu and will await our call. Our stay at the hotel has been paid for.

The alarm goes off.



Golden Dragon – y ddraig aur- Dream 23-12-2012

I am somehow in the Welsh valleys. The road along the side of the valley is being worked on. I am driving along, and a very large mechanical digger is pilling up porta-cabins by “throwing” them. I pull my car up so as not to get caught be the digger. It continues for a while and the way is now blocked.

I then try to proceed on foot, and I cannot get over the obstacle. On the other side of the valley again and that too is blocked.

I come back to a small snow-covered area and again the way is blocked by a collision of cars. I get in one car and drive it a bit. I get out and it continues on in automatic and it crashes into the pile of cars.

I am now at a large extensive house which is in the South-East. Someone warns me that the press has come for the celebrities. As I approach the house, I see the press photographers piling out of vehicles, chasing a celebrity.  I dodge round the back of the house.

As I do this I take off and soar into the sky. I am flying around the house and observing it from above. In the courtyard at the back there is a terrace and sat there is one of the journalists. I fly over him. He is sat in an ornate writing desk. I fly past again as he reaches for his camera. I land in the courtyard.

I walk towards where he is sitting and through some “Japanese” style doors. On the floor is an exquisitely carved oriental dragon. This is “my” place. The journalist comes over and points at the dragon which is beautiful and golden.

“This is the kimono-dragon the golden dragon”, he says.

“They are searching for the golden dragon {you}. Now you are it.”

I sit down next to the dragon and begin a meal with lacquer chopsticks and oriental bowls.

I replay the entire dream several times in my mind.

Note the doors/screens in the dream above. Door is the dreaming symbol for possibility.


Metallic Dragon Dream 25-2-13

In an inner city environment, I walk into a day centre. There is an open art project going on. In the entrance to the temporary classroom hut there are a black man and a white woman. They hand me a sheet of paper and a marker pen. I go through into the classroom. Sat in a row is a bunch of men, mostly black and not rich. There are all seated on chairs and have an easel in front of them. The paper on the easels is untouched. They are all trying to figure out what to do. I sit on a chair in front of a table, upon which there are arts and crafts material. I look for an easel. I empty my pockets onto the table. There is my wallet, some keys, some loose change and a mobile ‘phone. A man sits next to me. I go off to get some materials and my chair is taken by a newcomer. I come back and pick up the contents of my wallet. I sit on the next chair. I start drawing on my paper and the man next to be starts to copy me. He asks me what he should do. I suggest some ideas.  He wants to scrape the paint of his ruler so I lend him my small Swiss army pen-knife and show him how to do this.   I say to him that knives aren’t allowed but this one because it only has a tiny blade is ok. We continue working. Soon I am helping all the others get started.

The setting is changed. It is next week. I walk into a shoe shop and meet one of the guys from the art room there. He works there. He says that people are nervous of me. I ask why. He says that I am continuously setting things on fire, particularly rubbish bins. I walk past them and they ignite. All the others find this difficult to handle. I was not aware of this. I say that I’ll try to keep an eye out for it. I try to go to the toilet at the back of the shop. It is busy. I am in no hurry.

I leave the shop and cross a very wide boulevard which is lined with well established leafy trees. The road is wider than I initially thought. I should hurry to get across. I don’t, rather the traffic slows to let me cross. When I get to the other side, I look back at a large several storey building. I am standing next to people in what appears to be a bus queue. The building is an art and design college. Out of one of the upper windows of the building a large metallic dragon is released. I know this to be a design project. It swoops down and flies across the road to land in the tree above my head. As it flies it transforms into a small lithe, living dragon. When it lands in the tree it flaps its wings and coils and uncoils its tail. I reach up and play with the dragon’s tail as if it was my pet. It hops out of the tree and lands upon my head.  It is making soft purring noises.  I know what it is thinking and it knows what I am thinking. It makes a dragon’s roar. I do mine and for a while we roar together. It says that I should do my full roar. As I do this a great burst of flame comes out of my mouth and the sound is very loud. I repeat this. The dragon says that this is why I set things on fire. Slowly the dragon merges into me, it and I, are one and the same.

The people in the bus queue cannot believe that which they have just witnessed.

As I awake from the dream, I am somehow aware that all of the problems stem from the summer of 2002. The root cause of all the difficulties lies back then and with the people I knew then. Unless they do something about it, things will never be put back on course.  Their responsibility is large.

Fire = Desire for destruction, change or the fear thereof.

Dragon = Power / Magic


Rhondda – Y Ddraig Aur (Golden Dragon) Dream – 06-10-21

Last night we attended our second Breton class and as we arrived there were two crows circling above the venue. We are in the Bro Dreger {Tregor} and part of what stimulated the move was the prevalence of the Tregor dragon flag at a festival in Landreger in 2019.

This is the second dream from last night and because of the symbolism, it is probably significant.

I hear on the news that there has been a strange happening in Wales in which a row of terraced houses has been painted black. I “go” to see it. It is in the upper reaches of Trealaw Road. I arrive / land on the opposite side of the street and note that the black terrace is very close to where my maternal great grandfather John Parry Jones lived with his family when they moved down from North Wales. It is near where there is a path to a footbridge over the Rhondda River to Tonypandy. I decide to walk over the bridge and travel by train back to Gravesend.

As I cross the river, I am about to enter a shopping centre precinct, I notice a woman coming towards me holding a cylindrical object which is white and painted upon which is y ddraig aur. I look down at the t-shirt I am wearing and it is my t-shirt with the y drraig aur flag printed upon it. I suggest to her that because of this we must talk. She speaks English with a fairly strong Russian accent. She agrees.

Next, we are in her room. I take a closer look at the cylindrical object and see that it is the covering for a bronze statue underneath. I see that the dragon is slightly lopsided and say that it must be dissolved and repainted. We dissolve the dragon using a liquid and it flakes off flakes of genuine gold leaf which is very bright and almost alive. It is way more golden than the original image of y ddraig aur I saw near the river. It has come alive.

With great care she at first paints a black outline on the cylindrical cover and then begins to start the dragon. The gold on the black paint is vivid.

I say to her that it is a bit of an omen and that perhaps we are to work together. I ask her to tell me about herself, her journey.

In her Russian accent she takes me over to her bookcase and says that first she studied shamanism and pulls out a book by Kenneth Meadows. I am dumbstruck. I say that he was the first person to teach me shamanism and that this is now omen enough for me.

She then asks me about my practices. I explain that I have done an extensive recapitulation, I organised the retreats with Theun and the fact that I don’t need to recapitulate any more.

Dream ends.


Y Ddraig Aur (The Gold Dragon), c. 1400 – c. 1416, the royal standard of Owain Glyndŵr, Prince of Wales, famously raised over Caernarfon during the Battle of Tuthill in 1401 against the English. It is evident in Glyndŵr’s privy seals that his gold dragon had two legs.