Snow Tiger – Bhutan – Vajrayana – Dream 16-11-2025

Here is last night’s dream again out of the blue.

The dream starts in a front garden of a UK house on a standard modern housing estate. It is snowing and I am standing with my Snow Tiger. He is wearing armour like Iorek Byrnison the polar bear in “The Golden Compass” the tiger and I are one and the same. He is a White Tiger. I say that I am the Snow Tiger and I have been sent by Hermes. We are enjoying the silence of the night as the snow falls.

The scene changes and I can see the ex-wife with Manoj and Chris sat chatting around a table in a brightly lit modern house. They are oblivious and do not understand the situation in any way. They are being silly. I go into the room and they carry on regardless. The ex-wife belittles me verbally. In a single movement I grab her by the shoulders and throw her off her chair and away from the table. This stuns them all into silence. She understands that I could have completely broken her and them all. There is no malice on my part.

The scene changes and I am lying in bed. The ex-wife tries to sneak into bed with me and I push her rather forcefully out. She goes to tell my {dead} mother and father what I have done. They say in an attempt to manipulate me that I should not push them away. If I leave them I can not comeback. I am not touched by their threat. I say that I am the Snow Tiger and that my domain, my range is in Bhutan. In the mountains. That is where I live / am. They need to understand the difference between the Snow Tiger and how they think I am. I stand tall on my hind legs and then rest back to four. I too have some form of armour on.

The scene changes and I am in some grand building which is dimly lit. It has the feel of a temple or Dzong. We are in a fairly vast atrium. The colours are dark red, magenta and there are “tapestries” adorning the walls. There is incense and there are people in robes. On one wall there is a vast tapestry which has dark thangka colours and in it a young Russel Crowe sat centrally with a long flowing cape or blanket, velvet. Behind him the scene is crowded with many figures some meditating. Towards a tree is a Tiger on back legs sharpening claws. It is normal coloured. I move towards tapestry and become the Tiger to the tree. The moment I become the Tiger the thangka starts to animate. I drop down to all fours and the become a man again. I am wearing monastic robes.

I walk in the scene through some wide “castle” gates along an unpaved road to the gates of an impressive monastery. The gates are several times taller than me and hewn out of a very dark wood. They smell distinctly of ages. The doors have iron rings to open. I open the doors and step inside. There are two men there one wearing a vaguely triangular skin fur hat with an animal skin coat and another more expensively dressed. They have been exposed to the sun and weather. They are military. The more expensive one says that they want to check if I am true. I go to offer my hand and the rougher one breaks his staff into some kind of two headed martial arts weapon. The other one has some kind of flail attached to a chain / string. I know this to be deep tantra Vajrayana. They start to chase me.

Out of my pocket I pull a small decorated golden orb slightly smaller than my fist. I hold it up and out of it comes a stream of light azure blue spheres which head off in the direction of my assailants. The spheres swarm them without harming. The spheres fly around them. I call them back and they “plunk” back into the golden orb. The two assailants are satisfied. I understand that the test was “ago”. I have passed.

We are now in some unspecified European country. We are searching for a missing woman. We have her address in a city. But finding a parking spot anywhere near is a nightmare. We park some distance off and head off on foot. I see her leaving her apartment with a white near transparent headscarf on. I catch her up and holding her arm lightly tell her she has no need to be afraid. She has been in hiding. We go inside a light building and I say that she can relax. She takes off her headscarf and I can see that she is in fact a young man. He has adopted this disguise so as to hide himself and keep safe.  I ask if that feels better. It does.

The scene changes to some kind of school / dharma centre. There are a number of children playing there and they are under supervision. There is a teaching hierarchy and embedded method. I arrive with a couple of people and go through to look at the day book which records what happens. It is clear that I am there to teach more than just the children. I sit in the “staff room” and add a few elements to the book, specifically my dream about the Snow Tiger. A woman teases me that I will need to use shorthand and not full text. The centre is up in the mountains and has a great view over the valley below. I open up the blinds some more to look out. They are all wondering what it is that I will do.

I am joined by a tall woman with long blonde hair. She has a faint American accent and is heavily pregnant. I ask her how long she has got left. Not long. I say that she could have it on the 30th of August and have the same birthday as me. That way the kid will always be a bank holiday baby. She asks what it is that I am interested in. I say that I have an idea around Naropa and that I am well placed to speak on Naropa. In my orb are some things related. For some reason I have a distinct sense of familiarity with the woman. The young man from before will be joining us as some kind of understudy to me.

The dream ends and I think, “wow, that was a whopper!”

Air Israel – Kabbala – Golden Orbs – Keter – Dream 08-03-2025

This dream is from around 6 AM this morning. I have been waking because of pain in my lower spine and sacroiliac joints. I have been taking ~4 AM paracetamol to mitigate this.

The dream starts at an airport. The weather is warm and dry. On the tarmac with two boarding staircases is a jet air craft. In an angular script is written in large blue letters Air Israel. I am queuing with others to board the plane. There are people of all ages but the background is of wealth and the majority of them are Jewish. There are a few Hassidim with beaten up small leather carry-ons. There is a hub-bub of conversation. I climb the stairs and am welcomed by the cabin crew. Because of my appearance and colouring there is implicit an initial understanding that I am Jewish too. I take my seat on the aisle next to a couple with a toddler. The man is older than the woman and they are of American origin.

The flight takes off and I go to the galley to get food. The interior of the plane is now like the ground floor of a hotel with seminar tooms and a plenary. At the galley they are serving a very meat heavy dish with soup and dumplings, it is garlic rich. I move on to the self-service area. There is a selection of salads. I select one with lettuce and green lentils. I sit at a table and am soon joined by several young people who are in high spirits, they are anticipating their holidays, their stay on a kibbutz in the wilderness away from their parents.

Soon everyone moves to the plenary. A middle aged woman is on stage and she is throwing out pieces of puzzles. The idea is to use these pieces to construct a kabbalistic tree of life, Otz Chim. Everyone has flip chart paper, pens, scissors, card, string, glue and blue tac. The exercise is to keep people occupied on the flight. I catch some of the resources which the woman is throwing.

I start to build my tree of life. I start to make a three dimensional model between four vertical pillars. These pillars are about 2 cm in diameter and like Greco-Roman architecture pillars with striations top to bottom. They are gilded in a silver-gold mix. I build my tree of life in a quasi-helical fashion and not plan form. Each of the sephirah in my model is constructed out of a golden orb which I pull out of my pocket. The orbs are table tennis ball size and are decorated with an equatorial golden overlay motif. They are suspended in free space with no path structure. I pull out the last orb, Keter, and place it on top of the tree. Within the columns there is still top room for the veils of unmanifest. Keter is unusual in that it has to it a visor, like on a motorcycle helmet.

The woman on the stage suggests that we all switch tables and compare our handiwork. I join the table of a matriarch and her two late teen sons. I know that they are soon off to university. The woman looks at my tree and says that it in not bad for a goy. I open the visor on Keter and the model is filled with a radiant light, it comes to life. I say to her that the secret is Malkuth. She says don’t you mean Keter. I say yes, I deliberately mixed them up.

One of the sons comes over to me and takes out some tracing paper he is very keen to measure the dimensions of my design. He asks why there are no words on the paths and the sephirah like on everybody else’s designs. He says they could be in English or Hebrew. I say to him that if you need to use words then you have not understood nor attained the sephiroth. Words are by way of spells and are distractions from the path(s). The young man is excited and wants to learn from / with me.

In the dream I wonder if, because of the pain in my lower spine, Malkuth, I am under some form of psychic or occult attack. I make a resolution to look into it and if needed call up a Vajrapāṇi for protection.

The dream ends.

Zambia – Father – Royal Family – Golden Orb – Dreams – Dream 05-02-2025

This dream came as a series of sleep-wake cycles.

The dream opens in Kabwe Zambia. I have come to reclaim the body of my father who is lying in the “mines” medical facility. He is on a morgue trolley under a blanket. I have to sign a chit for his release so that he can be repatriated. Once I have done this, I can take him away in a wheelchair. I do this and wheel him around town for a last look, during this he appears to be conscious and interacting with the environment. Kabwe is much more metropolitan and modern than I remember. I take him back to the facility so that he can be shipped.

I have a sudden realization that I must get to Lusaka, so I go to the now modern train station. The train leaves at 40 minutes past the hour. I have just missed one. I go into a coffee shop / bar to try to arrange a hotel for when I arrive in Lusaka. Unusually for me I get out a smartphone and look for hotels. I find one. I ask the owner of the bar if she has heard of it. She a white woman with a slight Afrikaans, Cape Town, accent says yes. It is her sister who runs “Tuskers” an elephant themed hotel / restaurant near the train station in Lusaka. It is a sister hotel. I say that I like elephants.  She arranges a booking and offers me curry from the buffet in her bar.

I awake.

A Google search reveals that there is a Tuskers Hotel at Butungwa Street PO Box 80942, Kabwe 60100 Zambia. It is near the Big Tree Monument, and I have been in that hotel as a child when it had another name.

I drift off.

I catch the train to Lusaka. It is modern and there are loads of young people on their devices. I arrive at my hotel and get installed. Prince William the Prince of Wales is there, and he wants me to accompany him on his tour of schools in the area and then to go with him to the Okavango Delta. He has very fond memories of his time in Africa before he had too much responsibility and it all got so complex. William is hyper enthusiastic and gets a great reception at the schools. He asks my opinion on each establishment after we have visited. He brings excitement into their lives. It is uplifting.

I wake up

I drift back off.

I am now in the UK if feels west country maybe Gloucestershire. We are walking along a private path / road on an estate. It is tree lined, and autumnal. William is introducing me to Catherine and George. George is a little intense and kicking leaves. I say that I used to have the nickname George when I was a teenager. He then relaxes slightly. William explains that George has many questions which he would like to ask me. I say that I am happy to try to answer. Back in a drawing room of sorts George goes off and comes back with something in his hands.

He shows me an aspherical golden orb. It is about the size of a large potato and it is like an elongated, squashed sphere. There is an inlay in a darker coloured gold wrapping it in a cross bottom and top and all around the long “circumference”. It is clearly hollow and there is something inside. He asks me to take a look at it and hands it to me to inspect. I know that there are other artefacts in the series and that he is not telling me any background information.

I say that we need to think carefully about how we approach this. He nods.

I awake

I drift off

William, Catherine and I are now once again outside on the path. William tells me that Catherine is still fragile after her ordeal and that her mood fluctuates.  He says that she would like to talk with me about her dreams which have been plentiful. They are linked to George, and she senses they are of the same puzzle. I say to them that I would be very happy to talk about dreaming and dreams, subjects close to my heart. Catherine smiles and sighs in relief. William says that he is very happy for me to do this, in private, but I must undertake to keep him updated on a regular and thorough basis. This is because there are many things pertaining to royalty about which I am unaware. He is more concerned about Catherine than George, because of the blood, implied royal in George.

The dream ends and I think WTF.