Granny Was a Gwrach…

————————————-

Gwrach y Rhibyn

The legend of the cyhyraeth is sometimes conflated with tales of the Gwrach-y-Rhibyn or Hag of the Mist, a monstrous Welsh spirit in the shape of a hideously ugly woman – a Welsh saying, to describe a woman without good looks, goes, “Y mae mor salw â Gwrach y Rhibyn” (she is as ugly as the Gwrach y Rhibyn) – with a harpy-like appearance: unkempt hair and wizened, withered arms with leathery wings, long black teeth and pale corpse-like features. She approaches the window of the person about to die by night and calls their name, or travels invisibly beside them and utters her cry when they approach a stream or crossroads, and is sometimes depicted as washing her hands there. Most often the Gwrach y Rhibyn will wail and shriek “Fy ngŵr, fy ngŵr!” (My husband! My husband!) or “Fy mhlentyn, fy mhlentyn bach!” (My child! My little child!), though sometimes she will assume a male’s voice and cry “Fy ngwraig! Fy ngwraig!” (My wife! My wife!).

If it is death that is coming, the name of the one doomed to die is supposed to be heard in her “shrill tenor”. Often invisible, she can sometimes be seen at a crossroad or a stream when the mist rises.

Some speculation has been asserted that this apparition may have once been a water deity, or an aspect of the Welsh goddess Dôn. She is the wife of Afagddu, the despised son of Ceridwen and Tegid Foel, in some retellings of the Taliesin myth.

From Wikipedia

—————————————-

If I were to show you the autocorrelation traces of two femtosecond laser pulses on an expensive oscilloscope in a dark laser lab it us unlikely that you would be thinking of the witch, the hag of the mist, Gwrach-y-Rhibyn. The two things do not correlate for most.

A part of my maternal family hails from Snowdonia, the foot of Snowdon,  in North Wales and the family legend has it that at least one of my maternal relatives, a granny of sorts, was a Gwrach, a witch, perhaps a seeress. In that context then there is a chance that I inherited the bloodline and hence the “gift” so to speak. As such it was entirely natural {and perhaps inevitable} that I would be interested in shamanism and shamanic ritual.

Of course in terms of someone able to write Fortan programs to calculate Franck Condon factors for anharmonic oscillator molecular vibronic photon excitations that seems far-fetched.

Contextually the vice versa might apply. Why would a shaman piss about with fancy lasers and science?

In Brittany there remains an interest in {and perhaps practice of} witchcraft. This is no way freaks me out. It is possible the practises here were sourced in the Welsh diaspora arriving. They are of similar roots.

I’ll speculate that a blog post like this would not enhance my promotion prospects were I still institutionalised in science academia.

I have always loved the mist and the fog. I nearly died on The Old Man of Coniston once. I was alone and following crows up a trail in the snow deep into the fog, alone on the mountain. It was exciting. Luckily before I got completely lost in the otherworld, I turned back. I have had much similar fun on Kinder Scout in dense fog. There is something womb-like and enveloping.

Of a still and misty night, when the full moon is partially veiled and you heard a voice at your window calling your name, what would you do.

Could you take secure refuge in the omniscience of your infallible reason?

Or would your blood run cold?

Tadgh Gwen – Geiriadur – Forerunner – Museum Dream 02-04-2025

Here are last night’s dreams the first was between 1.00 and 3:30 AM and the second more extensive though more jumbled dream around 5 AM.

The dream starts in an ill-defined place. There are no buildings or land or people. Somehow it is misty, foggy even. There is a sense of marshland, of primordial, of essence. Though none can be seen. I am having a “conversation” with a disembodied voice, a being of considerable power yet no form as we know it. He says that I am Tegwen Taig-Gwen Tadh-Gwen and Tadgh-Gwen. That I am in the Geiriadur, the dictionary, the tally of words. {Implicit is Geiriadur Prifysgol Cymru.} There are many other names for me.

I know that gwen is white. I am white and of the white.

He says that I am the appetizer, the canapé, the hors d’oeuvre. I am the forerunner, the harbinger. One of only a very few. He says that I have borne the brunt and that there is more to come.

I wake up and take an Ibuprofen at around 3:30 AM to ease the back pain which I know is to follow soon.

I drift back off. I am now carrying an old cloth bound book which is in a state of disrepair. I can smell the book. I approach a reception desk in a university / museum setting. It is a bit like the V&A and Imperial College rolled into one. I speak with the woman on the desk who is dressed in serving black and whites with white gloves on. I say that I am looking for Dr X {I cannot recall the name}. She says that he has offices on the sub floor one. I can use the lift or the stairs. I know that I also have to visit sub-floors four and then seven.

I take the stairs down. I can see that sub floor one extends over all of the Exhibition Road area, underpinning all the museums and colleges, as well as the Albert Hall. The subterranean levels are vast and very extensive. There are galleries of books and files with dusty museum drawers. I make my way to the office. The door is open but he is not there. There is a lot of messy “horizontal filing”.

I let myself in and on a large Admiralty style table is a yellowed “Victorian” map yellowed about the edges. There is a steel rule and a set of geometry compasses. There is a second book which is companion to mine. I open it carefully with the steel ruler. The book opens on a page with mathematical symbols and matrices. I understand them to be spatial coordinates of places.

I go for a wander along the corridor. I find what looks to be a theatrical store of costumes, of clothing. I go in. The clothes are all for males. They are of a fashion from well over a century ago. There are breeches for riding and social. There is a pair of light red-magenta leather trousers, faded with age with hand shaped back pockets. There is a sudden realisation that these are my favourite trousers for when I used to ride. The wardrobe is in fact mine as is the office / desk / admiralty table.

I continue on down to the fourth sub floor. There is a large open gallery with military equipment. In the centre of the room is a display from which various staffs and pikes point out. There are more than a dozen such items all held like cocktail sticks in a lemon. With the shaft in an ornate metal holder. I select a large white-wood staff around six-feet in length. It has ornamentation on each end with metal inlays. I feel the familiar weight of the staff and find its centre of gravity. I start to twirl the staff and practise a stick form kata. There is a very Japanese vibe. Very quickly it becomes more familiar and faster.

I know in the dream that several people younger and fitter than me are coming to attack me. They have no idea about what I am capable of.

The dream shifts to a modern setting. I am sitting with M in a modern seminar room equipped with computers etc.. We are pouring over the mathematical notes and he is going to try to write some computer code to decipher them. I say to him that we must approach the notes from two angles, one scientific and the other seeing.

The dream ends.

———————

Notes

Geiriadur Prifysgol Cymru – Welsh University Dictionary

Tegwen name – from teg (“fair”) +‎ gwen (“blessed”) in the 19th century.

Gwen – white, blessed, holy

Tadhg in Welsh is Taliesin or poet.

Taliesin is the seer poet initiate of Welsh history /myth. He is often seen as Myrddrin which the English have translated as Merlin and claimed the mythology as their own.

Cultural appropriation!!

Myrddin Wyllt (Welsh: —”Myrddin the Wild”, Cornish: Merdhyn Gwyls, Breton: Marzhin Gouez)