ॐमणिपद्मेहूँ – om mane padme hum – Tattoo Dream Snippet 09-09-2025

This dream snippet is from last night.

The dream opens with some kind of social gathering. I am with various young people mostly white in their early and mid twenties. They are talking among themselves. I am peripheral to but a part of the group. They start to discuss their tattoos and what, if any, meaning they have. Most of them have quite a few tattoos. Some only have one or two. They have deep meaning for some.

The conversation turns to me. They ask if I have any tattoos. I say that I have none that are generally visible to the naked eye. They do not believe me. So I take off my t-shirt and stand bare chested among them. Clearly I am not in such good physical shape but they are surprised at how heavily muscled I am. My body is older and much thicker than theirs.

I point to the inside of my forearms and say that I have “oṃ maṇi padme hūm̐” there tattooed in Sanskrit.

ॐ मणि पद्मे हूँ

It can be seen in a living blue-back ink by those who can. I say that I first noted these tattoos over twenty years’ ago when I lived in Brixton. This is when I had first vision of them. In the dream I can feel them {as I can now in writing}. I open my arms outwards to display my forearms to them. Some doubt and think I am teasing. They can see from the expression on my face and in my eyes that I am relaxed and telling my truth.

The dream ends

  • Before drifting off to sleep several hours before the dream I was silently chanting AUM, A-U-M or ॐ

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Best Ever Dream – Dancing With Ganesh Dream 20-9-19

Still a bit shaky. I have just woken from my afternoon nap, which usually results from my midday codeine. It is a few weeks after I broke the head of my femur and had it repaired with a Titanium nail. I was taken to A&E in an ambulance. I am using a Zimmer frame and have a hospital bed downstairs.

Wow! That was the most intense dream I have ever had.

—————————-

I arrive at the edge of a walled garden and am welcomed through a large gateway by an upright Ganesh. He has all the typical elephant features, but his gait is that of a human being. He is iridescent blue in colour and has a twinkle in his eyes. I am welcomed into his “humble abode”. He shows me around his palace gardens, gardens that are tropical and scented. There are flowers everywhere. The garden is filled with water features. He takes me to a partially covered courtyard which has red-brown gravel. The pieces of gravel are near perfect spheres. He sits me down and we take tea together brought by his servants. I understand that this courtyard is where he practises his dancing.

A group of Indian musicians file in and seat themselves on the ground. Ganesh signals to them and they start playing. He gets up and starts to dance. His movements are exquisite, and his hands alternate between mudras beautifully and each mudra is exact and precise. He beckons me and starts to teach me some steps of his dance. {In the dream my leg functions fine.} Slowly I get the steps and we are starting to whirl and circle. It is entrancing. He stops suddenly and takes a blue-metallic AUM symbol out of his tunic. He walks over to me and presses it on my Anja centre. Slowly it penetrates and dissolves into me. I am left with a tattoo like impression on my skin. Ganesh smiles radiantly and we continue to dance.

I look at my body and notice that it has somehow taken on the same hue as Ganesh, which pleases me greatly in the dream. He laughs, at my surprise.

—————————

I awake with a start and my first instinct is look at my arms. They are not blue. They are lightly tanned and freckled with a few bruises from all the needles. It takes a while to assemble the reality of the room. I get up and go outside to smoke.

My Five Buddhist Incarnations – Dreaming

In around 2003 whilst living in London and working as a lecturer in Physical Chemistry at Imperial College in London I started having waking visions of myself dressed as a Buddhist monk / priest. These visions overlaid normal day to day reality and I was able to lecture to a theatre full of ~one hundred students on chemical reaction kinetics or in smaller groups, chemical applications of group theory, whilst these visions were resident. They persisted on the crowded Victoria Line tube trains. I had repeat visions of om mane padme hum tattooed in Sanskrit on my inner forearms. Accompanying these images was/is the sensation of tattoo. These visions lasted on and on for over a year.

I did not mention this to anyone because I thought it would not go down well in the Chemistry department. I thought human resources might not appreciate this and occupational health might be consulted.

I however was pretty sure that this was past life recall.

Obviously, it is impossible to prove scientifically, that any past life recall is real. At best there can be what the courts call, circumstantial evidence. Dreaming comprises some of this kind of evidence.

In 2009 I had a series of visionary telepathic conversations, early in the morning, walking in the woods near Tring with the master Djwhal Kuhl. He told me of five of my previous lives, two of which were Buddhist. He said that I had been a very close disciple of Siddartha.

The dream yesterday has added Nāgārjuna to the list of possible life-candidates.

Irrespective of accuracy or otherwise the theme of scholasticism and scholar runs through all the/my putative incarnations as does the theme of entrepreneurship. I am “on” the second ray, of the Elephant dreaming class and conditioned by love-wisdom, the teaching ray.

One dream suggests that I was Bakula a close disciple of Siddartha who came late to the path after a scholarly life.

Yesterday’s dream suggests some six hundred years later Nāgārjuna. Who was a “founder” of Mahayana and may have taught at Nalanda university.

Another dream has pointed at a saffron trousered Muay Thai trained Burmese / Thai incarnation, a monk/priest/protector.

Then there is dreaming evidence of a Japanese Vajrayana monk incarnation, with poetry.

{The feeling for me is that I also had a Japanese Zen life but no dreams as yet}.

The next two lives were not substantially Buddhist.

Of late there has been increasing “evidence” for a 20th century incarnation as a Tibetan Buddhist. So far there is no evidence of a named individual. If it was a sequential birth then they need to have died before or in early 1964. If it is a shared emanation then there is no strict constraint of time frame.

It is not for me beyond the realms of possibility that I have had five {six} incarnations with a dominant Buddhist flavour and of a non lay orientation.

It is not going to detrimentally affect my career prospects to write about this here and now.

I can just be some crazy eccentric old git living like a quasi-hermit.

“Look at the twp boy over by there…”

.

Shamballa – White Room – Buddhist Robes Dream 10-09-2024

This dream is at the “border” between dreaming and visualization and comes completely out of the blue. Yesterday morning I was talking with an investment manager of a venture fund whom I knew over thirty years ago at university. From high tech to Buddhism.

In the dream I arrive at the outer courtyard of a massive temple complex. It is situated in a commanding elevated position compared to the settlement in the valley below. To the South glistening in the sun, I can see a snow-covered mountain range. I assume these are Himalaya. I enter the temple complex which I know to be Shamballa. I am taken along a corridor to a room which I have never been to before. The room in contrast to the others is of a dazzling sparkling white and full of sunshine. There is a dais to one side also painted in brilliant white.

I am standing there in my black briefs. I say, “how come I have never seen this room before?” They say that I am now ready for it.

I am being dressed in the magenta and saffron-yellow vestments of a Tibetan style. The sense is that these robes are ceremonial. There are multiple layers, and I can feel the weight of them on my body. I can also feel the places on my forearms where I had the waking visions of “om mane padme hum” tattoos in Sanskrit around twenty years ago. I know somehow that it is winter. There is a sense that I am being prepared.

The chakras in my feet and hands are very energized.

I breakthrough into waking room consciousness and hear the wife breathing in bed next to me.

Sanskrit-Senzar- Messenger Dream 26th May 2014

I am standing in a column of light which is shining down on me. It comes from above. As the light shines on me it etches into my skin black tattoos, these form on my arms, my legs, my chest and my back. They are letters, words and phrases in Sanskrit and Senzar. The letters are in a black ink and cover pretty much my entire body much like the Bulletproof Monk. I carry these letters.

Next, I am in a city landscape and everyone is going to a party at city hall. There is a concert on there and people are gathering. There is an ensemble playing, it is like the Academy of Ancient Music and the instruments are all original period pieces. They are up on stage. On the ground floor and in a “box” is Princess Anne.

By this time, I have told people about the tattoos and nobody believes me. There has been some press interest but the men with their 1950’s style newshound flash cameras have lost interest. This is because there is nothing to see. The party continues on undisturbed.

I now find myself in a department store which is old style. I am curled up on the floor near a counter wearing a grey long sleeved shirt. The shop people find me there and nudge me to get up. I get up and as I do so the sleeves of my shirt fall back to reveal a list of tattoos in Sanskrit, Senzar and Chinese. These are now in very vivid royal blue and the calligraphy is exquisite, it is almost moving and definitely alive and vivacious.

The store staff are all bewildered by this and take me to a back office. In the foyer to this back office are two small Tibeto-Chinese figures. They are dressed in ceremonial costumes and approach me. They are dwarves and twins. I show them my forearms and they recognize the Sanskrit and Chinese characters; they guess that the others must be Senzar. The tattoos are now moving like a “stock ticker” scrolling across my arms. The dwarves are awestruck.

Whilst I am waiting for the store staff, I get bored and so leave the store, into a busy “New York” city street. It is raining heavily and my shirt gets wet through. It is clinging to me. I am wandering through the city in the rain with these vivid mobile, deep royal blue tattoos being the only coloured thing in a grey and black and white-grey world.

In the dream I know that I am carrying messages. I am by way of a messenger.

Later people gather around me and I show them my forearms. People now start to believe what I have told them before and all are astounded by the tattoos. I show church leaders and statesman. They are all stunned.

In the city the younger people are setting up to go to a house party. It is the usual thing and people are gathering to go to someone’s house. They are all too busy with partying. They do not realize that the “party” is at my house.

I am now on a roof and there is a stack of old billboard type advertisements. There are several of us and we are sorting them. There is one which reads Toltec 7-14 which we find and as we do this one of the phrases in Senzar lights up on my arm. It says “Toltec 7-14 New Book” in Senzar. I know its meaning. I know it is both a date and has the meaning of dreaming symbols {7= guidance and 14 = new knowledge}.

I awake with very strong sensations on and in my forearms and chest. These are very similar to when I had the visions of myself in Buddhist monk’s robes and tattoos in Sanskrit of inter alia “Om Mane Padme Hum” nearly a decade ago. I can feel the place where the dream tattoos were, particularly on my forearms.

Hospital – Zürich – Pinocchio – Crocodiles Dream 30-10-23.

Here is this morning’s dream. It seems out of the blue and at odds with my current life context.

The dream opens inside a hospital. I am talking to a young woman in a white coat there. She is asking me to talk to some of the people who have been stuck in the hospital for a long time. She gathers a few of them around they are all young and white. One of them who has been in for a long time asks me which illnesses I have had. I reply saying cancer and a broken hip. Only cancer I say. I say that I was only in hospital for a few days. She says that I should talk to Em who is in the other room. She has a number tattooed inside her cheek.

I go to Em’s room and there is a very beautiful young woman with blonde hair in a bob. She is wearing a white hospital gown with sparse tiny black flecks. I ask her to show me her tattoo. She shows me the inside of her left cheek and there is indeed a number written there. We joke about how these open at the back hospital gowns make it difficult to maintain modesty. I don one and clown around for her.

The reason they tattoo numbers is because she does not have health insurance and they need to know on whom they are operating. I notice a Swiss text on her bedside table.

I ask her, “are you Swiss?”

“Yes”

“From Zürich?”

“Yes…”

There is now a tall young man with very dark hair in the room.

I explain that I used to live in Switzerland and once worked at the University of Bern. I say that I know some people who may still be at ETH.

She says that she used to live near ETH.

The young man chirps up and says that he has to show me a video.

I go with him back to his room. He is a science teacher. He picks up a tablet computer which is very fancy with dials and other lights on it. He boots it up and using the touch screen scrolls through some files. He finds a video. He turns to show me the video. It zooms in on me doing a science demonstration for children. I am wearing my blue jacket and a pink shirt. It is a part of a series on how to present.

He says I thought I knew you from somewhere. That video is from an event I attended at Zürich. I recognised you from there.

I am gobsmacked. He says that he too is a bit of an intellectual like me. I say that I don’t consider myself an intellectual anymore. He is very exuberant.

We go back to the Swiss girl’s room and he shows her the video too.

I notice that it is misty outside and say that I need to get some fresh air. There is some confusion over which slippers to put on my feet. There is a pile of them and some do not fit, others I do not like the look of. I settle for some espadrilles or kung fu slippers. 

They tell me to be careful.

Once I am outside in the mist I am in an inordinately good mood. I start to jog. Coming down the path in the opposite direction to me is a man with a white carrier bag. I feign to do a rugby tackle on him. He joins in the fun and we both beam a smile at each other.

Further down the path there are some people playing at pirates. There is a small child sized man who is wearing a white loincloth with a bandana. He is brown in colour and waving a cutlass about. He strikes me with the cutlass across the back.

It hurts but does not wound. I pick him up and he drops the cutlass.

I tell him to apologise. He refuses.

I am now holding him easily by both of his feet. I tell him that unless he apologises, I will dunk him in the pond.

He refuses. I dunk his head into the water for a few seconds. His face is now white, clean.

He says that that hurt.

Again, I ask him to apologise.

He says that he will never apologise to me, not ever.

I dip him this time bodily and he disintegrates into the water.

I reach into the water and pull out the pieces of a plastic toy bus which I assemble. There is a show cage on top of the bus. I reach down and find a plastic toy Pinocchio in two parts. I put the top half to the bottom half. I then insert Pinocchio into the cage. His nose has grown a little because of lying. I know Pinocchio and the man in the loin cloth to be one and the same. He has morphed into Pinocchio.

I close the door of the cage because that is where Pinocchio is most comfortable inside his cage.

I move on deeper into the park and I am joined by a woman with dark brownish hair. She feels familiar but we have never been introduced. Somehow, she has heard more about me than I about her. She has watched the whole Pinocchio scene.

As we progress along the path, we can see a pond across it. In it there is a small non-descript furry animal in the water. It is a bit like a sloth or lemur. The animal is wet through.

Around the animal closing in are a number of mid-size crocodiles. The woman run towards the animal to try to save it.

I shout out, “No!!!”

Nevertheless, she enters the water and picks up the animal. As she is trying to leave the pond one of the crocodiles grabs her leg and starts pulling her under.

I shout, “Oh no, not again.”

{In real life, as a child, I saw a game warden pulled under by a Nile crocodile about ten metres away from me.}

The crocodile drags her and the animal off under a piece of corrugated steel roofing in the water. The other crocodiles converge.

I find a large thick wooden pole and start to strike the crocodile who is biting her (Susan?) on the leg. I strike it several times.

I wake up with a start and was unable to re-enter this dream to find out what happened. I come downstairs put the coffee on and start typing.

Saffron Trousers “Muay Thai” – Reincarnation – Dream 10-07-23

Here is this morning’s dream.

The dream opens at the confluence of two rivers in mountainous terrain. The river beds are strewn with dark grey-black rock. The river levels are low as is the resultant river. It is clear that from time to time and in rainy season torrents flow. Around the rivers are dense rainforest like trees. I am on a “beach” to the side of one of the rivers. There is a sense of antiquity and of “ago”. I know that I am near a village which is on a major trade route into / across the mountains. It has been the scene of major battles.

I look down and can see that I am wearing only some saffron-yellow trousers. They are held up with a drawstring at the waist and the ankles are similarly tied. They are loose fitting. My head is freshly shaved and without hair. My body is Asian and early twenties. It has no body hair. I am of a slight yet muscular build. I have a tattoo of my left forearm which I cannot see. I am with an old man with white hair and wispy beard. He is dressed in cotton trousers and jackets. He is an elder.

I am not of the village but have been assigned to it. There is an upcoming festival and I have been chosen to represent the village. Tribes will be coming down from the mountains for the festivities, which will be extensive over a number of days.

I point at a red rock on the shore. I say to the man that this could be ground up for face paint. {My mind interjects it is iron oxide}. He says yes and notes it. He will send one of the women back for it.

He has in his hand a cane upon which is a small pad. I am now supposed to kick the pad as he moves it. The type of kick is a roundhouse. He encourages me to swing the whole leg and not flex it at the knee. {My mind interjects that this not like a Japanese roundhouse mawashi-geri but more like a Muay Thai kick}. He moves the pad around getting me to kick low and high. He says that I must focus on the thigh kicks as these will deaden the legs of my opponents. He says that this is a key part of Muay Thai. He encourages me to kick low very hard and fast as we move around the beach. This “way” goes a long way back. He then gets me to work on a front stop kick which prevents the opponent from getting close. He says that I should tap into the warriors of old from this part of the mountains. The tribes coming down are savage and ruthless so I will have to be on my guard and at my best.

He says that although I am not of the village as the Buddhist priest, I should know its ways.

I have worked up a sweat. He suggests that I dunk myself in the river. Which I do.

The dream ends as we walk towards the village and I am amazed at how this body feels in comparison to the one in which I am sleeping.

Dream ends

* I note than in my waking dreams of me as a Buddhist priest I had a Sanskrit tattoo of “om mane padme hum” on forearms.

This is perhaps my Thai Buddhist lifetime, one of three putative Buddhist incarnations.

Link to Thai Sak Yant Tattoos

ॐ – Dancing With Ganesh Dream 20-9-19

Still a bit shaky. I have just woken from my afternoon nap, which usually results from my midday codeine. It is a few weeks after I broke the head of my femur and had it repaired with a Titanium nail. I am using a Zimmer frame and have a hospital bed downstairs.

Wow! That was the most intense dream I have ever had.

I arrive at the edge of a walled garden and am welcomed through a large gateway by an upright Ganesh. He has all the typical elephant features, but his gait is that of a human being. He is iridescent blue in colour and has a twinkle in his eyes. I am welcomed into his “humble abode”. He shows me around his palace gardens, gardens that are tropical and very scented. There are flowers everywhere. The garden is filled with water features. He takes me to a partially covered courtyard which has red-brown gravel. The pieces of gravel are near perfect spheres. He sits me down and we take tea together brought by his servants. I understand that this courtyard is where he practises his dancing.

A group of Indian musicians file in and seat themselves on the ground. Ganesh signals to them and they start playing. He gets up and starts to dance. His movements are exquisite, and his hands alternate between mudras beautifully and each mudra is exact and precise. He beckons me and starts to teach me some steps of his dance. {In the dream my leg functions fine.} Slowly I get the steps and we are starting to whirl and circle. It is entrancing. He stops suddenly and takes a blue-metallic AUM symbol out of his tunic. He walks over to me and presses it on my Anja centre. Slowly it penetrates and dissolves into me. I am left with a tattoo like impression on my skin. Ganesh smiles radiantly and we continue to dance.

I look at my body and notice that it has somehow taken on the same hue as Ganesh, which pleases me greatly in the dream. He laughs, at my surprise.

I awake with a start and my first instinct is look at my arms. They are not blue. They are lightly tanned and freckled with a few bruises from all the needles. It takes a while to assemble the reality of the room. I get up and go outside to smoke.

Double Vajra Tattoo – Dream 16-12-20

After a bit of a sleepless night, I awake to find my former university in the news and not in a good way. There are various comments on the nature of the working environment there.

Here is last night’s dreaming segment.

I am in a room with others, we are being threatened by a group of people with dogs on leashes. The dogs are straining to attack. They are like pit bulls. The owners are having trouble holding them back. I am quite relaxed. One of the pit bulls has inordinately long fangs and is angrily taking an interest in me. I offer it my right arm. It bites down hard and strong and will not let go. I am not worried about this. The owner of the dog tries to get it to let go. It will not. I place my left hand around the side of its jaws and squeeze. The dog opens its jaws and backs off happy.

I look down and it has left a mark reminiscent of a double vajra in oranges and red. There is no blood simply what looks like a tattoo on the inside of my forearm. I show everyone in the room my new tattoo.

Later I am working at the checkout in a supermarket and I show each of the customers my new tattoo about which I am slightly excited.

Dream ends

Excerpted from Rigpa Wiki

The double vajra (Skt. vishva-vajra; Tib. རྡོ་རྗེ་རྒྱ་གྲམ་, dorje gyadram, Wyl. rdo rje rgya gram) or crossed vajra is formed from four lotus-mounted vajra-heads that emanate from a central hub towards the four cardinal directions and symbolizes the principle of absolute stability.

In the cosmographic description of Mount Meru, a vast crossed vajra supports and underlies the entire physical universe. Similarly in the representation of the mandala, a vast crossed vajra serves as the immoveable support or foundation of the mandala palace and here the central hub of the vajra is considered to be dark blue in colour with the four heads coloured to represent the four directions-white (East), yellow (South), red (West) and green (North). These also correspond to the five elements and the buddhas of the five families with blue Akshobhya in the centre.

It’s also an emblem of the green buddha of the north, Amoghasiddhi, and represents his all-accomplishing wisdom as lord of the karma family of activity.

The raised throne upon which masters are seated when teaching is traditionally decorated on the front by a hanging square of brocade displaying the image of a crossed vajra in the centre, often with four small swastikas in the corners. This emblem represents the unshakeable ground or reality of the Buddha’s enlightenment.