Inspecting Budda Relics Dream – 22-01-2026

Here is last night’s dream which finished around 3 AM but which was subsequently revisited on going back to sleep.

The dream starts in a brightly lit room. There is a sense of subterranean of basement and of vault. The overhead light is bright like a fluorescent light but there is no hum. I am sat at a very large  lab-bench like table but which is large boardroom size. I am on the only chair in the room. The table is a work table for inspection of artefacts. It feels forensic and museum like. The air is treated for humidity and is slightly warm but dry.

The door opens and in walks a man and woman. They are younger than me and wearing a dark olive green curators uniform with trousers and short sleeve shirts. The uniforms have been immaculately pressed. They are both wearing white jeweller’s gloves. The woman has curly blonde hair held back in a clip and the man is dark haired. The man places an object in front of me. I know this to be a reliquary containing pieces of Buddha’s body or so the narrative goes. The box is the size of a tissue box. It is on four curved ornate legs which have an animal {query lion} foot finish. The whole thing is made out of an exquisite light yellow gold carved in a motif of India query Sri Lanka. The pattern is exquisite, fine. The box is surprisingly light. I know that it has a mechanism whereby the lid can be rotated to reveal two compartments. One of these is smaller than the other. Without opening the box I know that the compartments have a red “felt” lining. I inspect the box from the outside. The workmanship is impressive. The woman looks at me for permission and then picks the box up and together they leave the room.

They return. This time the woman is carrying a small cloth bundle. It is square shaped with a depth of a couple of inches. The cloth is folded over and over to make a parcel. She handles it with reverence. The cloths are heavy and exquisitely woven with a fine shiny silken thread running through it. There are layers of a purple-ish base fabric cloth and a rich red-magenta cloth. The cloth is luxury.  She places the bundle in font of me on the table. I know that it is Tibetan-Himalayan in origin and that it too contains a relic of the Buddha. I pick the bundle up and inspect it from all sides, paying particular attention to the bottom. I am holding it in both hands just above my head inspecting.

{This relic is “privately” owned and on loan.}

As I do this I see a “wall” to a room or cave. The wall is made of a grey sandy granular sedimentary rock. In my mind’s eye I touch the rock and it starts to crumble and flow away leaving a couple of small pillars about 20 cm tall. There is an opening in the wall about 40 cm wide and 20 cm tall with pillars of a few centimetres thickness and a void or opening behind. There is a sense of a store or a cache behind the wall. In the dream I know that in this space are other relics pertaining to Buddha and his corporeal. I can see that the cache extends to both the left and the right of the opening in the wall.

I return from the vision and place the unwrapped bundle back on the table. The man signals to me and I nod. He picks the bundle up and they leave the room.

They return and this time the man is carrying a clear plastic sample storage drawer. It is around 10 by 10 cm on the front face and has a depth of about 30 cm. There is a catalogue card with number and content written in German. There is an acquisition date and I understand it to be a museum piece kept under preserving conditions and attributed as a Buddha relic considered by some a part of Buddha. They place it on the table in front of me and nestled on a bed of tissue paper and with a moisture absorbing paper silica sack is a small bundle of jet black felt cloth held together with a thin golden drawstring. It is a small bundle.  

The man and the woman, the curators, stand back behind me one on either side of me and against the wall.

The dream ends.

Brocade Book – Occult – Dream 8-9-16

Here is last night’s dream

I am in some kind of mansion or Chateau. The rooms are dimly lit by candles and gaslight. The furniture is period. The walls are dressed in curtain like hangings stretching floor to ceiling. The colour is a boudoir red / purple. There is a sense of fading Victorian even tsarist grandeur. In the distance I can hear a social function, a party. There are harpsichords playing, laughter and chatter. I wander around the room; it is well-kept but overly opulent and not to my liking. I walk past a table, with ornate carved legs and I trail my hand along the tabletop.

Next, I am in an ultra-modern museum which has a Germanic or Swiss feel. It is somehow on top of a mountain and very high up. The museum is minimalist. There are only a very few glass cabinets. They contain artefacts in gold and other metals. Each has a slip of paper in the cabinet with a date and a small explanation. Many of the artefacts are oriental, Buddhist and relate way back. They are very precious, and security is high. I come upon a case; it appears to be empty. In the case is a slip of white paper saying Dr A.G.Taylor and a list of the universities that he worked at. There is no date. I get excited and go to find the curator. I say to her that this is me…can I have look at what is in the exhibit? She puts on her white gloves and with a golden key attached to her neck chain she opens the drawer below the exhibit case. She pulls out a book, a much valued manuscript. It is kept out of sight to preserve it. It is about standard book size. The book has a cover, even a cage, of the finest golden filigree brocade, exquisitely carved and put together. It is in raised almost moving relief. The cover of the book is white and although not glossy it somehow shines. The whole thing shines and glows. It is radiant. She makes me put on white gloves and hands it to me. I marvel at the book and open it. Both she and I know that it is I who wrote this book.

The scene changes to another room deep in the vaults of the museum. It is where all the treasures are kept. The floor is of white marble and the room has two levels split by a small half staircase. At the staircase are wall length curtains held back by a fancy golden coloured tie. The curtains are of luxuriant red with a yellow gold coloured backing. I wander through the room looking at the artefacts. Many are to do with magic of both light and dark varieties. I instinctively know which is which and what they are for. As I wander through the room, I get the sensation of something, some being, watching me. I know that it is not benign. So, I “swell up” and fill myself with energy. I open my hands so as to distribute {if needed} and say out loud. “I know you are there, show yourself!!” It is an occult command of very high order. The curtains at the stair flutter in the breeze and I know that whatever it was, it has gone.

The dream ends. I know that it is highly significant. I pause to recollect and store it. I go back to sleep.

On typing today the word Grimoire popped into mind.