The first part of the dream was had between 6 and 6:31 AM this morning. I then went back into the dream.
The dream opens with me driving down a bitumen private country road on an estate towards a bridge over a fair sized river, tens of metres across. There has been recent flooding. I drive onto the bridge and see that the far side of it has been eroded. Nevertheless, I can drive off the bridge and continue on. I am less sure about the return journey. I pull up on to a large, gravelled parking area in front of a large house / mansion. It is quintessentially English and similar to that of one of my prior tutees. The sense is that I have come here on a similar purpose of teaching.
I knock and enter and am welcomed by a man of similar age to me dressed in tweeds. He ushers me in and inquires about the journey. I mention the bridge. He says that the lads are working on a lash up. He shows me into a lounge like area and we are joined by his wife a younger woman with dark hair. It is obvious that they are both upper class, she in particular. Their accents are clipped.
We make our way out. At the side of hallway there is a white computer screen upon which are cartoons portraying the weather of the day in some detail. I comment that it is a nice simple touch. They look at each other in a light hearted conspiratorial manner.
We go to inspect the bridge. I can see that it will be difficult to get my car back on the bridge. In the dream I know that it will be easy for me to pick it up by hand and place it onto the bridge, even though it is a normal sized normal car.
The lads are sailing a barge downstream towards the bridge. It has a military style pontoon bridge on it. They anchor and secure the pontoon in place. I get onto the pontoon with them and lift a car which is already on the pontoon off onto dry land. I can and do drive my car over the pontoon and park up the other side.
I am now sat at table with the woman and her two sons We are in the orangery and the youngest son is serving us a curry from a deep sided old style metal mass catering serving tray. It has handles which are lose and held to the tray with rivets. The meal is good. He asks if I need some more spices to thicken the sauce. He offers me a small plate upon which are turmeric, cumin and garam masala. I say that the curry is just fine as it is, lovely. The mother is delighted. She is wearing blue jeans and an expensive pink jumper. I say that I like things simple. They all look at each other. I say, “you lot as a family have got something weird going on about simple.” They all smile.
The older brother is doing very well in school but the younger one is seen as a bit odd. He has some special needs. I say to them that when I was a little older than the younger lad, I used to do a lot of the cooking for the family. The younger teenager says that he does too. There is a peculiar instant sense of bonding between us.
I wake up and go to the loo. The wife says that I have been kicking about.
I try to return to the dream.
I am back at table in the orangery. The woman is sat where she was previously but her jeans are unzipped to reveal light pastel blue underwear. I am not sure what this means. What has transpired, what she wants. It then dawns on me that she is indicating that both the boys came out of her.
The younger boy then takes me by the hand and leads me out of the orangery and into a walled garden. The walls are made of very red bricks and the garden is where chef grows his herbs and vegetables. The younger lad is a friend of the chef.
He takes me behind a small green house and eases a stone out of the wall. It is like a cold war dead drop. In the cavity there is a white piece of paper which at first looks to have nothing on it. The lad puts the brick back and unfolds the paper upon which is a map of sorts sketched by hand.
The lad leads me from the walled garden into the basement kitchen and thence to a basement room. He turns on the fluorescent light overhead. The stark lighting reveals a number of filing cabinets. He shows me one in olive-khaki green. The drawers have handwritten labels which have yellowed with age. The writing has been done with a fountain pen is a sloped script which I know to be that of a female. There is a locking bar down the face of the cabinet. At the bottom the padlock has been removed by the lad. He shows me it. Implicit is that the key is in his trouser pocket. There is a sense that this archive dates back to the second world war and that nobody knows what to do with it nor can they decipher it. It has been in the safe keeping of his family.
The dream ends.
Dreamyoga 